By 1953, Fritz Lang’s career was a rocky road forced to make small studio or independent films one after another. He also spent the last few years clearing himself of accusations, made by the House of Un-American Activities, he was a communist. By the time he signed with second tier Columbia studio the commie accusations had been cleared and Lang was heading toward the final phase of his career in America before heading back to the homeland, Germany.
With Glenn Ford, a poor man’s James Stewart, in the lead, Lang was still floating in less than grade A film waters. At this point in his career Ford was mostly making programmers or second features, films like “Plunder in the Sun,” “Time Bomb,” “The Redhead and the Cowboy,” “Framed” and “The Undercover Man” with the occasional more expensive production added in (“Gilda”). Quality varied, some were good, some not, most as mentioned were not “big” pictures. Columbia did not consider, “The Big Heat,” a major motion picture.
“The Big Heat” is based on a serialized, in the Saturday Evening Post, novel by William P. McGivern, a novelist (Odds Against Tomorrow, Rogue Cop and Shield for Murder), screenwriter (The Wrecking Crew, Brannigan) and TV writer (Kojack, Adam-12, Banyon) with a screenplay by Sidney Bohem (Side Street, Union Station, Violent Saturday). Continue reading