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	<title>Twenty Four Frames</title>
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	<description>Notes on Film by John Greco</description>
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		<title>Short Takes: Six Films With Photographers as Main Characters</title>
		<link>http://twentyfourframes.wordpress.com/2013/05/13/short-takes-six-films-with-photographers-as-main-characters/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/05/13/short-takes-six-films-with-photographers-as-main-characters/#comments</comments>
		<pubDate>Mon, 13 May 2013 19:41:05 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Blow-Up]]></category>
		<category><![CDATA[Delirious]]></category>
		<category><![CDATA[Georgia O'Keeffe]]></category>
		<category><![CDATA[Micheangelo Antonioni]]></category>
		<category><![CDATA[Oliver Stone]]></category>
		<category><![CDATA[One Hour Photo]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Rear Window]]></category>
		<category><![CDATA[Salvador]]></category>
		<category><![CDATA[Short Takes]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14861</guid>
		<description><![CDATA[Photography and filmmaking are brothers, or sisters, under the skin. Cinema would not exist without the birth of still photography. As a photographer, and someone whose has been drawn to celluloid dreams all his life, I thought I&#8217;d list a few of my favorite films that have characters who are photographers in significant roles. All six [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14861&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>16</slash:comments>
	
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			<media:title type="html">Salvador</media:title>
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		<title>Act of Violence Revisited</title>
		<link>http://twentyfourframes.wordpress.com/2013/05/06/act-of-violence-revisited/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/05/06/act-of-violence-revisited/#comments</comments>
		<pubDate>Mon, 06 May 2013 11:44:10 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[1940&#039;s]]></category>
		<category><![CDATA[Film Noir]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Fred Zinnemann]]></category>
		<category><![CDATA[Acto fo Violence]]></category>
		<category><![CDATA[Janet Leigh]]></category>
		<category><![CDATA[Mary Astor]]></category>
		<category><![CDATA[Robert Ryan]]></category>
		<category><![CDATA[Van Heflin]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14840</guid>
		<description><![CDATA[Mary Astor&#8217;s career was a long one going back to the early 1920&#8242;s. Over the years her career continued to grow until an infamous marital scandal broke in 1936 while she was making William Wyler&#8217;s &#8220;Dodsworth.&#8221;  During the court battle her husband Dr. Franklyn Thorpe threatened to submit Astor&#8217;s spicy, fully detailed, diary as evidence [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14840&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>31</slash:comments>
	
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			<media:title type="html">act-of-violence-old-friends</media:title>
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			<media:title type="html">act of violence3</media:title>
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		<item>
		<title>Penthouse (1933) Woody Van Dyke</title>
		<link>http://twentyfourframes.wordpress.com/2013/04/26/penthouse-1933-woody-van-dyke/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/04/26/penthouse-1933-woody-van-dyke/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 12:47:32 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[1930&#039;s]]></category>
		<category><![CDATA[Pre-code]]></category>
		<category><![CDATA[Myrna Loy]]></category>
		<category><![CDATA[Nate Pendleton]]></category>
		<category><![CDATA[Penthouse]]></category>
		<category><![CDATA[Warner Baxter]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14803</guid>
		<description><![CDATA[Poor Mae Clarke, she always seems to get the sour end of the lollipop when it came to men. Cagney shoves a grapefruit in her face in THE PUBLIC ENEMY. Two years later in the 1933 film, LADY KILLER, Jimmy drags her by her hair and kicks her out of his apartment. That same year [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14803&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://twentyfourframes.wordpress.com/2013/04/26/penthouse-1933-woody-van-dyke/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
	
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			<media:title type="html">Penthouse_(film)</media:title>
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			<media:title type="html">clarke</media:title>
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			<media:title type="html">Penthouse</media:title>
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		<item>
		<title>Short Takes: Cagney, Dodsworth and Scream of Fear</title>
		<link>http://twentyfourframes.wordpress.com/2013/04/22/short-takes-cagney-dodsworth-and-scream-of-fear/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/04/22/short-takes-cagney-dodsworth-and-scream-of-fear/#comments</comments>
		<pubDate>Mon, 22 Apr 2013 11:46:08 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[1930&#039;s]]></category>
		<category><![CDATA[1960&#039;s]]></category>
		<category><![CDATA[George Raft]]></category>
		<category><![CDATA[James Cagney]]></category>
		<category><![CDATA[Mary Astor]]></category>
		<category><![CDATA[Short Takes]]></category>
		<category><![CDATA[Susan Strasberg]]></category>
		<category><![CDATA[Dodsworth]]></category>
		<category><![CDATA[Each Dawn I Die]]></category>
		<category><![CDATA[Scream of Fear]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14743</guid>
		<description><![CDATA[Each Dawn I Die (***1/2) It is Cagney versus Raft in this classic 1939 Warner Brothers prison drama. Directed by William Keighley, Cagney is Frank Ross an investigative reporter who exposes a political candidate’s corrupt association with a construction company. After the article is published, Ross is snatched by some goons right in front of [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14743&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://twentyfourframes.wordpress.com/2013/04/22/short-takes-cagney-dodsworth-and-scream-of-fear/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
	
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			<media:title type="html">Each Dawn</media:title>
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			<media:title type="html">dodsworth</media:title>
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			<media:title type="html">Scream of Fear</media:title>
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		<item>
		<title>The Films of James Cagney and Joan Blondell</title>
		<link>http://twentyfourframes.wordpress.com/2013/04/09/the-films-of-james-cagney-and-joan-blondell/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/04/09/the-films-of-james-cagney-and-joan-blondell/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 12:21:31 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[James Cagney]]></category>
		<category><![CDATA[Joan Blondell Page]]></category>
		<category><![CDATA[Joan Blondell]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14719</guid>
		<description><![CDATA[It&#8217;s hard to imagine a better word to describe James Cagney and Joan Blondell as a team than the word moxie. They were both had it up to their eyelids. Cagney the fast talking, wise cracking smart aleck with a sly smile coming face to face with Blondell, who was just as fast with the [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14719&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://twentyfourframes.wordpress.com/2013/04/09/the-films-of-james-cagney-and-joan-blondell/feed/</wfw:commentRss>
		<slash:comments>37</slash:comments>
	
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			<media:title type="html">Sinners</media:title>
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			<media:title type="html">crowdr-001</media:title>
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			<media:title type="html">footlight-parade</media:title>
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			<media:title type="html">James Cagney and Joan Blondell</media:title>
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		<item>
		<title>Short Takes: Shanghai, Alaska, Girls, Guns, Gangsters on the Western Front</title>
		<link>http://twentyfourframes.wordpress.com/2013/04/01/short-takes-shanghai-alaska-girls-guns-gangsters-on-the-western-front/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/04/01/short-takes-shanghai-alaska-girls-guns-gangsters-on-the-western-front/#comments</comments>
		<pubDate>Mon, 01 Apr 2013 12:20:59 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[All Quiet on the Western Front]]></category>
		<category><![CDATA[Capucine]]></category>
		<category><![CDATA[Edward L. Cahn]]></category>
		<category><![CDATA[Fabian]]></category>
		<category><![CDATA[Gene Tierney]]></category>
		<category><![CDATA[Girls Gun and Gangsters]]></category>
		<category><![CDATA[Henry Hathaway]]></category>
		<category><![CDATA[Lew Aryes. John Wayne]]></category>
		<category><![CDATA[Lewis Milestone]]></category>
		<category><![CDATA[Mamie Van Doren]]></category>
		<category><![CDATA[North to Alaska]]></category>
		<category><![CDATA[Shanghai Express]]></category>
		<category><![CDATA[Stewart Granger]]></category>
		<category><![CDATA[Victor Mature]]></category>
		<category><![CDATA[Walter Huston]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14671</guid>
		<description><![CDATA[The Shanghai Gesture  (***1/2) Such an amazingly lurid, corrupt and wicked film to ever come out of Hollywood during the heyday of the Motion Picture Production Code. Gene Tierney is Poppy a spoiled young woman out for a good time in Shangahi. One night she parties in the biggest gambling house in town owned by Gin [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14671&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://twentyfourframes.wordpress.com/2013/04/01/short-takes-shanghai-alaska-girls-guns-gangsters-on-the-western-front/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
	
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			<media:title type="html">gene-tierney-shanghai-gesture_420</media:title>
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		<media:content url="http://twentyfourframes.files.wordpress.com/2013/03/quiet-11.jpg" medium="image">
			<media:title type="html">quiet-11</media:title>
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			<media:title type="html">CapucineAndTheDuke</media:title>
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		<media:content url="http://twentyfourframes.files.wordpress.com/2013/03/geraldmohr3.jpg" medium="image">
			<media:title type="html">geraldmohr3</media:title>
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		<title>Lee Marvin: Point Blank &#8211; Interview with Author Dwayne Epstein &#8211; Part Two</title>
		<link>http://twentyfourframes.wordpress.com/2013/03/25/lee-marvin-point-blank-inteview-with-author-dwayne-epstein-part-two/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/03/25/lee-marvin-point-blank-inteview-with-author-dwayne-epstein-part-two/#comments</comments>
		<pubDate>Mon, 25 Mar 2013 11:33:47 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[Interview]]></category>
		<category><![CDATA[Lee Marvin]]></category>
		<category><![CDATA[Dwayne Epstein]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14637</guid>
		<description><![CDATA[If you have not read part one of my interview with Dwayne Epstein, author of the new biography Lee Marvin: Point Blank, just click right here and you would be directed right to it. The book is available at Barnes and Noble, Amazon and bookstores everywhere. In part two we discuss &#8220;The Dirty Dozen,&#8221; &#8220;The Killers,&#8221; Robert Aldrich, [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14637&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://twentyfourframes.wordpress.com/2013/03/25/lee-marvin-point-blank-inteview-with-author-dwayne-epstein-part-two/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
	
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		<title>Lee Marvin: Point Blank  &#8211; Interview with Author Dwayne Epstein &#8211; Part One</title>
		<link>http://twentyfourframes.wordpress.com/2013/03/18/lee-marvin-point-blank-interview-with-author-dwayne-epstein-part-one/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/03/18/lee-marvin-point-blank-interview-with-author-dwayne-epstein-part-one/#comments</comments>
		<pubDate>Mon, 18 Mar 2013 11:38:15 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[Lee Marvin]]></category>
		<category><![CDATA[Dwayne Epstein]]></category>
		<category><![CDATA[Interview]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14592</guid>
		<description><![CDATA[According to biographer Dwayne Epstein, Lee Marvin made it possible for future action stars like Charles Bronson and Clint Eastwood to blast their way on to the screen. It was Marvin who brought the level of violence to a new and realistic level that had never been seen before. Think Vince Stone in “The Big [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14592&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://twentyfourframes.wordpress.com/2013/03/18/lee-marvin-point-blank-interview-with-author-dwayne-epstein-part-one/feed/</wfw:commentRss>
		<slash:comments>20</slash:comments>
	
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			<media:title type="html">Lee Marvin Super Cool TNT</media:title>
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			<media:title type="html">liberty-valance-</media:title>
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			<media:title type="html">Brooks-The Professionals</media:title>
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		<title>Stromboli (1950) Roberto Rossellini</title>
		<link>http://twentyfourframes.wordpress.com/2013/03/08/stromboli-1950-roberto-rossellini/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/03/08/stromboli-1950-roberto-rossellini/#comments</comments>
		<pubDate>Fri, 08 Mar 2013 12:33:19 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[1950&#039;s]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Ingrid Bergman]]></category>
		<category><![CDATA[Italian Cinema]]></category>
		<category><![CDATA[Italian Neo-realism]]></category>
		<category><![CDATA[Roberto Rossellini]]></category>
		<category><![CDATA[Stromboli]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14570</guid>
		<description><![CDATA[Like her character, Karin in “Stromboli,” Ingrid Bergman found herself ostracized in real life from Hollywood and America after making this film with her director/lover Roberto Rossellini. Their affair and out of wed-lock child caused a scandal that found Bergman unable to find work in the United States for six years. In the film, Bergman [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14570&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>14</slash:comments>
	
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		<title>Out of the Fog (1941)  Anatole Litvak</title>
		<link>http://twentyfourframes.wordpress.com/2013/03/02/out-of-the-fog-1941-anatole-litvak-2/</link>
		<comments>http://twentyfourframes.wordpress.com/2013/03/02/out-of-the-fog-1941-anatole-litvak-2/#comments</comments>
		<pubDate>Sat, 02 Mar 2013 12:40:02 +0000</pubDate>
		<dc:creator>John Greco</dc:creator>
				<category><![CDATA[1940&#039;s]]></category>
		<category><![CDATA[Anatole Litvak]]></category>
		<category><![CDATA[Ida Lupino]]></category>
		<category><![CDATA[John Garfield]]></category>
		<category><![CDATA[Bernard Gorcey]]></category>
		<category><![CDATA[Eddie Albert Anatole Litvak]]></category>
		<category><![CDATA[John Qualan]]></category>
		<category><![CDATA[Leo Gorcey]]></category>
		<category><![CDATA[Out of the Fog]]></category>
		<category><![CDATA[Thomas Mitchell]]></category>

		<guid isPermaLink="false">http://twentyfourframes.wordpress.com/?p=14551</guid>
		<description><![CDATA[&#8220;Out of the Fog&#8221; is based on a 1939 play called &#8220;The Gentle People&#8221; by Irwin Shaw. The play ran for a respectable four and half months on Broadway and had one heck of a cast that included Franchot Tone, Lee J. Cobb, Sam Jaffe, Sylvia Sydney, Elia Kazan, Martin Ritt and Karl Malden. It [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=twentyfourframes.wordpress.com&#038;blog=4214753&#038;post=14551&#038;subd=twentyfourframes&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>27</slash:comments>
	
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