If 1952 made Marilyn Monroe a name, a rising new film star, in 1953 she exploded on the screen with three standout Technicolor productions. “Niagara,” “Gentlemen Prefer Blondes” and “How to Marry a Millionaire” all of which would help define the Monroe celluloid doctrine. Her screen persona was now full blown and propelled her into the Top 10 list of Hollywood stars.
Henry Hathaway’s “Niagara” opens with two great shots of natural beauty, first is the mighty Niagara Falls with millions upon millions of gallons of water falling with God given power. The second shot is our first view of Marilyn Monroe lying naked under a thin sheet in her motel bedroom. Light shines through the sheet giving us a silhouetted shape of her right thigh. In her hand, a cigarette dangles over the side of the bed. The look on her face is one of satisfaction making one wonder what she was doing while her husband Joseph Cotten was off admiring the falls. We quickly come to learn this marriage is in trouble. When she hears her husband’s keys unlock the door, she puts out the cigarettes, rolls over, her back to the door, faking she’s asleep. This all happens within the first three minutes of the film. Continue reading