Like Florida, Out of Time is laid back and easy, at least it starts off that way. We meet Banyan Key Police Chief Matt Lee Whitlock, a smooth Denzel Washington, as he makes his rounds one hot evening in the small coastal town. Relaxing back at the office, he receives a phone call from one Ann Merai Harrison (Sanaa Lathan); there’s an intruder outside her small house, can he come over. At her home, he begins asking a series of questions. We soon realize they are both acting out a coquettish sexual game that ends up with them in bed. The playful sexuality is as hot as the Floridian temperature in the dead heat of summer. Continue reading →
In looking back at the list of films I’ve watched this year I noticed many of my older movie watching contained repeated viewings and not as many newly discovered works as in the past. Not sure why, other than there were a few times during the year I was looking for celluloid comfort food and nothing more. Still, I did manage to find ten films, and a few runner-ups that are worthy of making this year’s list. For the first time since I began doing this, I believe, there are no foreign films included. It wasn’t intentional, just the draw of the cards. Continue reading →
Barbara Stanwyck was always at her best when her character came from the wrong side of the tracks. She seemed to have a natural affinity for those whose lives have mostly been filled with hard times, scrapping by the best way they can. Maybe, it had to do with her sad Brooklyn upbringing, her mother dying when she was four, pushed from a streetcar by a drunk, and her father leaving only weeks later, never heard from again. That kind of pain has to leave an indelible mark on one for life. Yet, beneath the tough exterior would hide a gentle desirous heart longing for acceptance and love that would eventually reveal itself. This double side of Stanwyck’s persona is clearly on display in many of her films including this 1940 holiday comedy/drama.
Fred MacMurray is prosecuting Assistant District Attorney, John Sargent. He arranges through a legal technicality, to have Lee…
In my own personal hierarchy, Dolores Claiborne secures its spot as one of the best adaptations of a Stephen King novel. This film is a “horror” story sans chainsaws, hacked body parts or ghosts. Well, that last part is just partially correct, only here, the ghosts are psychological. Director Taylor Hackford and screenwriter Tony Gilroy have given us a mature and cleverly made thriller with superb acting from Kathy Bates and Jennifer Jason Leigh. Continue reading →
What would happen if you took an arrogant, caustic and cynical New York City intellectual and transplanted him into the heartland of America? That was the premise of George S. Kaufman and Moss Hart’s hit play, The Man Who Came to Dinner. The play premiered on Broadway in October 1939 and ran for more than two years, 730 performances to be exact. Legend has it Moss Hart came up with the idea after a visit from the prickly theater critic, New Yorker columnist, Alexander Woollcott, to his country home and began making one demand after another, including shutting off the heat and insisting on a bed time snack consisting of cookies and a milkshake. Woollcott was a member of the famed Algonquin Round Table, a self-proclaimed group of witty and sometimes verbally vicious intellectuals trading barbs and witticisms. They met every day for lunch at the Algonquin Hotel…
The palmetto bug is capable when alarmed of ejecting a foul-smelling spray that will knock you over. Also known as the Florida skunk roach, humans should be cautious not to upset these darling little creatures. Its scent has been known to repel dangerous enemies. For Harry Barber, our anti-hero, he will discover the palmetto bug is his only true friend. Continue reading →
For many years, around the holiday season, the Catholic Church had a pledge they brought forth to their parishioners. The oath was for “Good” Catholics not to attend any film considered morally objectionable, that is, the big C word was applied…Condemned!For years, the Church’s list of objectionable films was a dominant force that changed filmmaking. Many directors, among them Stanley Kubrick (Spartacus) and Billy Wilder (The Seven Year Itch), edited their films, eliminating scenes found objectionable. While it’s true most of the films on the list were foreign that received the condemned rating there were exceptions. In 1953, Otto Preminger’s lightweight romantic comedy, The Moon is Blue was given the dreaded C rating, this after the Hays Office refused to give the film its seal of approval and Preminger and United Artists refused to make what today seem like ridiculous deletes.