If there ever was a golden age of comedy, it was the 1920’s. Three geniuses led the way: Charlie Chaplin, Buster Keaton and Harold Lloyd. There were others of course, Harry Langdon, Laurel and Hardy, Snub Pollard, Mabel Normand, Larry Semon and Fatty Arbuckle among others. But it was the top three who reached the exhalted status of genius. Of the three, there was always a battle on who was the greatest. Lloyd always seemed to take the third spot. No disgrace considering the talent of the other two. Between Chaplin and Keaton, it’s always been a matter of individual taste. Chaplin was the sentimental artist with a social conscience. Keaton’s comedy was always more cerebral. I personally love both and have always went back and forth on who I thought was better. I have resigned myself to the fact that they both share the top spot.
At a time when journalism and the news media, in general, is under attack for delivering “fake news,” Steven Spielberg’s film The Post delivers a message on the importance of a free and separate press; the need for the truth to come out despite attacks from those in positions of power and influence. Continue reading →
In 1991, American Playhouse, a PBS produced series presented A Marriage: Georgia O’Keeffe and Alfred Stieglitz. The production starred Jane Alexander as O’Keeffe and Christopher Plummer as Stieglitz. There are few, if any, artistic couples who loom as significant in the history of culture and art as Stieglitz and O’Keeffe. Alfred Stieglitz did not consider himself just a photographer, but an artist and through his galleries and his highbrow magazine, Camera Work he almost single-handedly made photography a recognized art form. Additionally, he was a pioneer in introducing the Modern Art movement to America. Continue reading →
Georgia O’Keeffe, a pioneer of the modern art movement and one of the most famous American female artists, captured through her abstract depictions of large flowers, animal skulls and the landscape of the Southwest, the power, the emotional pull and perception of abstraction in art. O’Keeffe was unique; she followed no artistic school or thought. Her vision of form and design all came from within her own spirit. Continue reading →
This is the first in a series of monthly posts that will highlight my favorite comedies of each decade. Key word here is favorite and not necessarily the best. Comedy is a highly subjective category. While many film lovers see Billy Wilder’s Some Like it Hot to be one of the best comedies, there are folks, well informed film lovers, who disagree.
I myself believe many of our modern day comedies rely too much on trashy jokes and not enough on sophisticated humor. A fart joke gets the laugh. Why bother with intelligent humor. Now, I have nothing against low-brow or bathroom humor, but how many times do we have to see Will Farrell take off his shirt, pants, or more (Old School, Blades of Glory, Talledega Nights, Anchorman, Step Brothers, Daddy’s Home)? Today’s audiences also have an intolerance for the buildup to the joke. Attention spans have diminished over the years. Television is partially to blame for this; the jokes have to come quick to get them all in a twenty minutes time frame. Laurel and Hardy would never survive in today cinema world. It’s not that there are not good comedies today. The Big Sick is one of my favorite films of 2017, and Judd Apatow has a pretty good record. However, overall they are far and in between. Continue reading →
By 1992, Joe Pesci had been around for thirty years beginning with a small role in the 1961 film, Hey, Let’s Twist, a showcase for the then chart-topping rock and roll group, Joey Dee and the Starliters (Peppermint Twist). Pesci began getting some attention in the mid-1980’s with films like Easy Money and Once Upon a Time in America. But it was not until 1989 with Lethal Weapon 2 and 1990 with the double whammy of Home Alone and Goodfellas that Pesci became a name on everyone’s lips. Riding this success, Pesci had a series of important roles over the next few years. In 1992 alone, he appeared in Home Alone 2: Lost in New York, Lethal Weapon 3 and My Cousin Vinny. That same year he also had the lead role in the little-known film, The Public Eye.Continue reading →
With January rapidly coming to an end, I thought I better make my list of best/favorite movies released in 2017. I have not yet seen some of the films popping up on many folks lists, Shape of Water, I Tonya, The Post to name a few, so it is possible my own list could change. However, I did not want to wait until March or later to put something out. The films are in no particular. Maybe, there will be an update.