Clocks and time have played an important part in many films. They are a harbinger of things to come; deadlines to be met, deadlines that are missed, time moving too fast, too slow or even sometimes standing still. In many films, clocks are filled with symbolism. They can create and build tension, something which many of us can identify with in our own lives. We all learn there is always a limit on time. Continue reading
In a 1993 interview with The New York Times, Martin Scorsese talks about the influence Murder by Contract had on the then teenager. “It’s an example of an American B-movie that is 100 times better than the film it played with on a double bill.” He then went on to explain, “The film it was playing with when I saw it was ‘The Journey,’ by Anatole Litvak, with Yul Brynner. That film had nice color, but when ‘Murder by Contract’ came on the screen, it was surprising and lean and purposeful, and not like anything my friends and I had seen. Afterward, we talked about it on the street for days. When I saw it again years later, I was overwhelmed by the severity of the style, which was dictated by the budget.” Scorsese later said in the interview how he put a clip from the film in ‘Mean Streets, ‘ but he had to remove it out of the final cut of the film because it was too long. Continue reading
An almost forgotten film from the mid-1980’s, Heaven Help Us is a wonderfully executed coming of age story. While the film will definitely strike a chord with Catholics, I can say honestly it will speak to almost anyone who was once a teenager, and that’s all of us. Continue reading
My love for movies began after my parents and I, moved from Manhattan to Brooklyn. I was just a few days shy of my eleventh birthday and was, and still am, an only child. I was on the shy side in those days making it hard at times to make new friends. There were plenty of kids around my age in the apartment building we moved to; still, it was not an entirely smooth transition. Movies became my outlet. Nearby was the Loew’s Oriental, a large majestic theater within walking distance. My other movie outlet was TV. New York City television during those early years, long before home video, was a treasure trove, a repertory theater filled with old films…only with commercials. There was The Early Show, The Late Show, The Big Preview, The 4 O’clock Movie, The 4:30 Movie, The Late Movie, Five Star Movie, Chiller Theater, and the best of all, Million Dollar Movie.
I have always had an affinity for newspaper themed films. As a kid in Junior High, I had, for a short period, illusions of being a newspaper reporter. I’m not sure what exactly sparked this interest, but while the desire to be a reporter died my love of films with newspapers/reporters has remained strong. Billy Wilder’s Ace in the Hole, Sam Fuller’s Park Row, Alan Pakula’s All the President’s Men, Howard Hawks’ His Girl Friday, Alexander MacKendrick’s Sweet Smell of Success, Orson Welles’ Citizen Kane, Phil Karlson’s Scandal Sheet, Richard Brooks’ Deadline U.S.A. and more recently Tom McCarthy’s Spotlight are just some of my favorites. As you can tell from this small list, newspaper reporting can be an heroic endeavor or it can be down and dirty, even scandalous. Continue reading
If you are a Kindle Unlimited member my film e-books Lessons In the Dark and Film Noir at Twenty Four Frames a Second are now available to borrow. Check it out below. Continue reading
Whether you are a musician, writer, actor, artist or any other public figure, you know having fans is an integral part of the experience. Fans are supportive, financially and artistically. Fans follow the artist on social media, fans share experiences and thoughts between each other, and fans are devoted. However, with some fans there comes the point when that devotion takes a turn toward some very dark places; far from the ordinary, toward the bizarre, the maniacal or even worst. Fan is short for fanatic which derives from the Latin adjective fanaticus. Unlike the average or normal fan, the fanatic has lost all perspective of their relationship to the artist. They are overly passionate and unreasonable in their devotion to their idol. Some even feel they know the artist and have a personal relationship where the artist is speaking directly to them. It’s all very delusional, and needless to say, way outside the boundries of what is considered conventional behavior. Then there is Annie Wilkes. Continue reading