By 1957, “B” film director Jack Arnold had already made some of the finest sci-fi films of the decade; “It Came from Outer Space,” “The Creature from the Black Lagoon,” and “Tarantula,” but the best was yet to come, 1957’s “The Incredible Shrinking Man.” Ignore the silly title this is one of the greatest existential science fiction films ever made. The 1950’s would turn out to be Arnold’s best decade. With the dawn of the 1960’s most of his career sadly, would be in television with only an occasional foray back into film.
We meet Scott Carey (Grant Williams) and his wife Louise (Randy Stuart), sunbathing on their small boat. It’s a beautiful day and the couple are playfully content soaking in the tranquility of the time spent together. When Louise goes down below to get a bottle of beer, Scott suddenly finds himself coming face to face with a bizarre, threatening cloudy haze that quickly falls upon him and then disappears just as quickly into the distance. After Louise returns she notices shiny specks have landed on his chest. They think nothing of it and soon it is forgotten. A short time later he is also accidently sprayed by some insecticide. Continue reading
Based on Lucille Fletcher’s highly popular radio play, “Sorry, Wrong Number” was brought to the screen in 1948 by producer Hal B. Wallis and Paramount. The film was directed by Anatole Litvak and stars Barbara Stanwyck and Burt Lancaster. The original radio show featured Agnes Moorehead and was primarily a tense one woman dialogue for the complete twenty-two minute show. The program was so popular, Moorehead reprised her role several times over the years, but when Wallis and Paramount purchased the property, they decided Moorehead was not a big enough star for the lead role in the film. So here came Stanwyck who had just signed a contract with Wallis making this her first film under the new agreement.
To expand the original short radio script into a feature film, Lucille Fletcher “opened” up her original story which she accomplished by adding a series of flashbacks and even some flashbacks within flashbacks, expanding the role of the husband, played by Lancaster. Fletcher would also turn the screenplay into a novel the same year the movie was released.
Stanwyck is Leona Stevenson, the bed ridden wealthy invalid, neurotic to the core, with more pills on her end table than Pfizer Inc. produces in a month of Sundays. She is confined to her lavish bedroom apartment, overlooking the New York City skyline. One evening Leona, attempting to call her boy toy husband Henry, accidently due to crossed telephone lines, overhears two men discussing a murder plot. She calls the police, then her father and finally her doctor, but no one believes her. Continue reading
George Axelrod was a playwright, screenwriter, novelist and film director best remembered for his 1952 hit Broadway play, “The Seven Year Itch,” turned into a movie by Billy Wilder and starring Marilyn Monroe. Axelrod’s plays which included “Will Success Spoil Rock Hunter” and “Goodbye Charlie” introduced to modern pop culture, the sex comedy, a sub-genre that would become more prevalent in the 1960’s and beyond. Axelrod’s other works include “The Manchurian Candidate,” “Breakfast at Tiffany’s,” “How to Murder Your Wife” (screenwriter), “Lord Love A Duck,” and “The Secret Life of an American Wife” (screenwriter and director). Continue reading
Welcome to the third annual Twenty Four Frames Top Ten List of Classic Films Watched… For The First Time. In 2012, more than ever the list turned out to have an international flavor with only three films from the U.S. making the top 10. Three films from Italy also made the list as well as two from Great Britain and one each from Japan and France. The decade of the 1960’s had the most films with three. Both the 1940’s and 1950’s had two films each. The 1980’s was the most recent decade and the 1910’s was the earliest. There are 10 honorable mentions all of which are worthy works in and of themselves and deserve to be seen. For easy access, I have provided a link to all the films watched in 2012. Continue reading