Three Hitchcock films, Roman Polanski and more Woody Allen, Bob Hope, film noir and a truly classic gangster film highlight Part 8. These ten films are a good representation of where my cinematic desires are deepest. If I were to numerically list the films in this series many of them would land in the top twenty-five.
Who ever said Alfred Hitchcock was not a romantic? After all, what could be more romantic than the final scenes in Notorious where we see Cary Grant coming to Ingrid Bergman’s rescue just in time to take her away from the murdering Nazi, Claude Rains. True, for the past two hours Grant forced Ingrid to whore herself by playing a 20th Century Mata Hari, seducing and sleeping with Rains in order to obtain secret information. He then resents her for agreeing to do this and hates himself for forcing her do it. Yep, no one knew how to treat a woman like Mr. Hitchcock, just ask Janet Leigh in Psycho or Grace Kelly in Dial M for Murder. Notorious is a dark perverted love story. It is also a story of espionage, spies, murder and sex with Grant and Bergman as two of the most glamorous spies this side of James Bond, There’s the 180 degree POV spinning shot of Bergman’s Alicia simulating her hangover after an alcoholic binge the night before. There is a superb crane shot during the reception scene at Sebastian’s home where Hitchcock’s camera begins at the top of the stairs and slowly zooms in and down to first floor continuing to an extreme close up of Alicia’s hand and a key (to the cellar) she is holding. Then of course, there is the famous kissing scene where Hitchcock out foxed the censors with their rule of “no kisses lasting longer than three seconds” which he managed to make more erotic than the most blatantly steamy scenes we see in today’s films. Continue reading