101 Films to Watch Over and Over Again – Part 8

Three Hitchcock films, Roman Polanski and more Woody Allen, Bob Hope, film noir and a truly classic gangster film highlight Part 8. These ten films are a good representation of where my cinematic desires are deepest. If I were to numerically list the films in this series many of them would land in the top twenty-five.

Notorious

notorious-1 Who ever said Alfred Hitchcock was not a romantic? After all, what could be more romantic than the final scenes in Notorious where we see Cary Grant coming to Ingrid Bergman’s rescue just in time to take her away from the murdering Nazi, Claude Rains. True, for the past two hours Grant forced Ingrid to whore herself  by playing a 20th Century Mata Hari, seducing and sleeping with Rains in order to obtain secret information. He then resents her for agreeing to do this and hates himself for forcing her do it. Yep, no one knew how to treat a woman like Mr. Hitchcock, just ask Janet Leigh in Psycho or Grace Kelly in Dial M for Murder. Notorious is a dark perverted love story. It is also a story of espionage, spies, murder and sex with Grant and Bergman as two of the most glamorous spies this side of James Bond, There’s the 180 degree POV spinning shot of Bergman’s Alicia simulating her hangover after an alcoholic binge the night before. There is a superb crane shot during the reception scene at Sebastian’s home where Hitchcock’s camera begins at the top of the stairs and slowly zooms in and down to first floor continuing to an extreme close up of Alicia’s hand and a key (to the cellar) she is holding. Then of course, there is the famous kissing scene where Hitchcock out foxed the censors with their rule of  “no kisses lasting longer than three seconds” which he managed to make more erotic than the most blatantly steamy scenes we see in today’s films. Continue reading

101 Films to Watch Over and Over Again – Part 7

Two Woody Allen films, Hitchcock, Scorsese, Altman, Ford, along with Bob Hope, The Marx Brothers and my favorite holiday film highlight Part 7 in this series.

The Man Who Shot Liberty Valance

libertyvalance2“This is the west sir, when the legend becomes fact, print the legend.”

The Man Who Shot Liberty Valance is a classic western that stands up against the best in John Ford’s filmography. It’s a work of an elder statement taking a darker, morose look at a period in America he had glorified in earlier times.  The film represents a turning point in the history of the American west, Statehood was on the horizon; the law and civilization were coming. John Wayne’s Tom Doniphon knew his days were over and that James Stewart’s Rance Stoddard and his breed represented the future. A masterwork! Continue reading

Spring Breakers (2013) Harmony Korine

spring_breakers1It’s spring break time and thousands of college age kids have or will be making their way down to Florida’s beaches to have a swinging party in the sun. The Sunbaked State depends on tourism. They love to see young folks partying all night long, spending lots of dough, helping to boost the local economy. So a few years ago when it was announced that a new film, called Spring Breakers, would be shooting in the Tampa Bay area, city officials and others were elated. The film sounded like a fun in the sun Florida sunshine treat. The kind both the tourism industry and politicians like, showing off the Sunshine State at its exuberant beachy best. They soon would find out Spring Breakers was not going to exactly be the second coming of Elvis in Girl Happy. Continue reading