Eight Days a Week: The Touring Years (2016) Ron Howard

photo-the-beatles-eight-days-a-week-the-touring-years-186676If you have been or are a diehard admirer of The Beatles, like myself, you won’t find much that is new in Ron Howard’s recent documentary despite claims to the contrary. There are a few pieces of footage here and there, but if you have watched the definitive, ten hour, Beatles Anthology, or any other of the many documentaries like the Maysles Brothers What’s Happening! The Beatles in the U.S.A. (1964), The Compleat Beatles (1982), the multiple releases of The Ed Sullivan Show performances or more recent works like Scorsese’s George Harrison: Living in the Material World (2011) and The U.S. vs. John Lennon (2006) along with the many bootleg copies of concert tapes that have surfaced over the years, Eight Days a Week: The Touring Years, even with the participation of Apple, brings little that you have not seen already to the table. Continue reading

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Gunfight at the O.K. Corral (1957) John Sturges

gunfight-jpgOne of the earliest films depicting Wyatt Earp, Doc Holiday and the gunfight at the OK Corral was a 1932 work called Law and Order. While the character’s names were changed, the film told the tale, fictitious as it was, of the infamous Tombstone shootout. Since the making of that film there have been numerous others detailing, correctly or incorrectly, generally more the latter, the story of the battle between the Earp Brothers and the Clanton’s’ at the OK Corral. In 1939, there was Frontier Marshal with Randolph Scott as Earp and Cesar Romero as Doc Holiday. According to Jon Tuska in his 1976 tomb on the Western film (The Filming of the West), it was this script that was given to John Ford and was used as the basis for his My Darling Clementine. Continue reading

The Man Who Came to Dinner (1942) William Keighley

dinner2What would happen if you took an arrogant, caustic and cynical New York City intellectual and transplanted him into the heartland of America? That was the premise of George S. Kaufman and Moss Hart’s hit play, The Man Who Came to Dinner.  The play premiered on Broadway in October 1939 and ran for more than two years, 730 performances to be exact.[1] Legend has it Moss Hart came up with the idea after a visit from the prickly theater critic, New Yorker columnist, Alexander Woollcott, to his country home and began making one demand after another, including shutting off the heat and insisting on a bed time snack consisting of cookies and a milkshake.  Woollcott was a member of the famed Algonquin Round Table, a self-proclaimed group of witty and sometimes verbally vicious intellectuals trading barbs and witticisms. They met every day for lunch at the Algonquin Hotel. Among the members were Dorothy Parker, Harpo Marx, Robert Benchley, George S. Kaufman, Robert E. Sherwood, Heywood Broun, Ruth Hale (Broun’s wife) and Marc Connelly. There were other members, some officially part of the group and others who were unofficial occasional visitors. Continue reading