There was a time when photographs actually required film be in the camera instead of a digital disc. Many professional photographers back in the day used Kodachrome because the colors were vibrant. On a bright shiny sunny day, you could get those those nice bright colors, the greens of summers that Paul Simon sang about in his hit song. If stored properly, Kodachrome had a long post processing self-life. Colors did not fade. Kodachrome was also good for magazine reproduction. With the introduction of digital photography, Kodachrome began to lose a significant portion of the market share. In 2009, Kodak stopped producing Kodachrome. In 2010, the last authorized processing facility, Dwayne’s Photos, located in Parsons, Kansas closed its doors. Continue reading
Comedy films of the 1940’s were a fairly diverse group from social commentary, satire to slapstick. From the sophistication of Ernest Lubitsch to vaudeville based films of Abbott and Costello. I love it all. Abbott and Costello narrowly missed the list, as did so many others. The 1940’s was a rich period for comedy in films. It wasn’t easy narrowing the list down to just ten. This is the fourth post in the series. You can read about them here. Continue reading
Motherhood can be a joyous thing; the miracle of birth, a child the result of a bond between two people. Watching the child grow and discover life can be heartwarming and reaffirming. Then again, the idea of a live organism, another person growing inside you, just might be a bit unsettling and disturbing as you watch your body change, and who knows what the child will be like. He/she could turn out to be a bright, upstanding member of the community. Then again, your little precious could turn out be another Al Capone or Jeffrey Dahmer or even worse.
Many films have focused on the dark side of motherhood: Psycho, Mildred Pierce, Mommie Dearest and most recently the current movie Tully. There are plenty of other films with motherhood gone wrong. Angela Lansbury in The Manchurian Candidate is one of the best bad mothers. On the other side of the fence are mothers who love too much; they are self-sacrificing and end up with a daughter like Veda in Mildred Pierce.
And then there is Rosemary’s Baby. Continue reading
In the opening scenes of Seven Days in May we find picketers from both sides demonstrating outside the White House. Tempers are high. A riot breaks out, and the police come in attempting to break up what has turned into a free for all. Those divisive times were more than fifty years ago. It’s amazing how times have not changed. Today it is no different, tolerance and respect are in short supply. For many of us, emotions are driven by fear. We live in a period where Americans fear foreigners, terrorists, North Korea, Iran, Nuclear war and more. Fear drives irrational behavior. Continue reading
As a photographer, I found this film more interesting than it arguably deserves to be. The photography studio, the darkroom, the Rolleiflex camera that Lila Crane’s mentor gives her as a gift is all nicely detailed. As part Columbia’s Bad Girls of Film Noir, the film’s inclusion in volume two is questionable. The first thing to point out this is not a film noir. Columbia’s long arm of credibility was at work including this in the box set. And compared to Night Editor, another film in the package that stars Janis Carter as one of the most evil femme fatale’s to ever grace the screen, making Lila Crane look like miss goody two shoes. Continue reading