For me, the 1950’s can be considered as one of the best decades in film. With films like Sunset Blvd, From Here to Eternity, North by Northwest, Strangers on a Train, All About Eve, Rear Window (Hitchcock again!), On the Waterfront, Touch of Evil, High Noon, and so many others how could it not be? However, with the introduction of television in more and more American homes during this decade comedy seemed to have hit a bump in the road. There were not as many comedies, and they generally were not as funny as in the past. Of course, there were exceptions, Some Like it Hot is one of the greatest sound comedies. One thing that you will notice is that some of the films on the list are musical comedies. A style that at this point in time, television still could not emulate.
When I first became interested in film, seriously interested, there were not many books on the subject, at least not in Bensonhurst, Brooklyn. Arthur Knight’s The Liveliest Art, published in the late 1950’s, was one of the first books on the subject I read. I discovered names like Griffith, DeMille, and others. I did find a copy of Rudolph Arnheim’s Film as Art at a local library around the same time or not soon after. Other than that, you were pretty much limited to film star biographies. Continue reading
Guilt is the sort of thing that can haunt you, eat at your inner guts, and destroy your mind. It will weigh on you and everyone you come into contact with. Do something horrible, and it can kill you. Based on Stephen King’s novella, 1922 is an exploration of how guilt is unrelenting and its dread can destroy a man and his entire world. Continue reading