“This here’s Miss Bonnie Parker and I’m Clyde Barrow. We rob Banks!” – Warren Beatty
The first time I saw Arthur Penn’s now iconic Bonnie and Clyde was soon after its release in 1967. It was at a Manhattan theater and the audience, including me, was at times unsure how to respond to what we saw on the screen. In the language of the sixties – it was mind blowing! New York Times critic Bosley Crowther didn’t think so. When his scalding review came out, there was no doubt where he stood. He disliked the film immensely. He wrote calling it in part, “a cheap piece of bald-faced slapstick comedy that treats the hideous depredations of that sleazy, moronic pair as though they were as full of fun and frolic as the jazz-age cut-ups in Thoroughly Modern Millie.” In fairness, Crowther wasn’t the only critic of the day to knock the film. The studio faced with the negative reviews pulled the film from circulation. Continue reading →
Across 110th Street is an intense, nasty, hard-boiled heist film that from its opening moments to its final freeze frame finish never lets up. The pacing furious and deadly. Shot on location, mostly in Harlem, this film is too easily characterized as just another blaxploitation film; it’s not, this is a top-notch crime film that is a must-see for crime film connoisseurs. Continue reading →
I saw first saw The Last Picture Show back in 1971 at a twin theater called the Columbia 1 and 2 located on 2nd Avenue on the Upper East Side of Manhattan. When the film opened, it created a phenomenon with audiences crowding the sidewalks in long lines waiting for the next available show. The Last Picture Show was only director Peter Bogdanovich’s second film; the first was the low budget Targets. Exquisitely filmed in black and white by Robert Surtees (The Graduate, Act of Violence, The Collector) the cinematography visually expresses and adds immensely to the bleakness of a dying small Texas town. Continue reading →
Like many comics before her, and after, Gilda Radner was looking for love. Born in Detroit to a middle-class family, her father whom she loved dearly died when she was fourteen. Chubby as a child, the film states her mother, a beautiful looking woman, forced Gilda to take diet pills and repeatedly stressed the importance of being thin. Gilda, feeling unattractive found out she was funny and discovered people liked funny people. Continue reading →
The eBook version of Bitter Ends, my new collection of short stories is now available on Amazon. 20 short stories of murder and mayhem along with a couple of more charming tales tossed in – all with a twist. A paperback version will follow later this month.
TCM will be showing Remember the Night on Saturday December 22nd at 8PM ET. This article was originally posted in 2014.
Barbara Stanwyck was always at her best when her character came from the wrong side of the tracks. She seemed to have a natural affinity for those whose lives have mostly been filled with hard times, scrapping by the best way they can. Maybe, it had to do with her sad Brooklyn upbringing, her mother dying when she was four, pushed from a streetcar by a drunk, and her father leaving only weeks later, never heard from again. That kind of pain has to leave an indelible mark on one for life. Yet, beneath the tough exterior would hide a gentle desirous heart longing for acceptance and love that would eventually reveal itself. This double side of Stanwyck’s persona is clearly on display in many of her films including this 1940 holiday comedy/drama.
Fred MacMurray is prosecuting Assistant District Attorney, John Sargent. He arranges through a legal technicality, to have Lee Leander’s (Barbara Stanwyck) trial for shoplifting postponed until after the holidays. This gesture results in Lee, unable to post bail, having to spend the long holiday week in a jail cell. Sargent, in a twinge of guilt, or holiday spirit, arranges through a shady bondsman to have Lee’s five thousand dollars bail paid. When the bondsman delivers Lee to the ADA’s apartment, she is cynical enough, and has no doubt, her payback to him will be in sexual favors. To her surprise, Sargent expects nothing in return. He really just did not want her to spend Christmas in jail. The look of surprise in Lee’s eyes and face is priceless when this realization hits her. Continue reading →