With the beginning of the baseball season last week, I found myself watching a baseball film. Not sure why, these days I have little interest in baseball, and in sports in general. Growing up, I was a rabid Yankees fan. Mickey Mantle was my idol, as he was for many other kids. I watched football (Giants) and basketball (the Walt Frazier, Willis Reed, Dave Debusschere Knicks). However, somewhere along the way I lost interest in sports; found too many other things I rather spend my time doing. Continue reading
John Ford’s The Grapes of Wrath is one of classic Hollywood’s most impressive and important films. Based on John Steinbeck’s 1939 novel, a morally emotional work filled with both rage and empathy; it won both the National Book Award and a Pulitzer. One year after the book’s publication came Ford’s masterpiece.
TCM is broadcasting the film on Friday (February 10th) at 8PM (Eastern).
Down below is an excerpt from my e-book, Lessons in the Dark, where you can read more about The Grapes of Wrath classic films. Available at Amazon. Continue reading
Long before video became the standard home format for movies taken by family of loved ones, friends, and maybe even of some gory accidents you happen to come across that may make it on the local news, there were 8mm home movies. One of my uncles was the first in the family to have an 8mm camera which he purchased around the time of the birth of their first child and my cousin. We lived near each other and subsequently I made it on to the grainy screen in quite a few of the 50 foot reels. While most of the movies were dedicated to family there were a couple of minutes of celluloid my uncle shot that had nothing to do with family. This was way back in the 1950’s and they were dismantling the 3rd Avenue El, the last of the above ground subways to run in Manhattan. My uncle shot some footage and its amazing footage to watch of a New York City now long gone. Continue reading
Here’s the story of the hurricane….
On September 2nd 1935, a category five, the highest level, storm slammed into the Florida Keys. The storm hit on Labor Day. Original predictions had it heading between the Lower Keys and Cuba. At first, it was thought to be of lesser severity. Then it blew up heading toward Upper Matcumbe Key, Plantation Key and Tavernier Key with wind speeds between 200 and 250 mph. It turned out to be the strongest hurricane to ever make landfall in the United States. Storm surges ranged from 18 to 25 feet. Towns like Tavernier and Marathon were left with no buildings standing. Other towns nearby suffered catastrophic destruction. Over 400 hundred deaths were reported, many were World War I veterans who were working on the completion of the Overseas Highway the road that would connect the mainland to the keys. The veterans were part of the government’s Civilian Conservation Corps (CCC). Continue reading
Before Elvis, before The Beatles, before Michael Jackson and before whomever the latest pop star of the day is…there was Frank Sinatra. The teenage girls of the day swooned, screamed and peed in the panties uncontrollably when Sinatra sang on stage at theaters like the Paramount theater in New York City. By the late 1940’s though Frank’s career was in a downward spiral. His film career up to this point was mediocre. There was the occasional big hit like Anchors Aweigh, On the Town and Take Me Out to the Ballgame, but more often there were second-rate films like The Kissing Bandit, Double Dynamite and It Happened it Brooklyn. More importantly for his career, his popularity on the record charts was also spiraling downward. Frank, of course, would rebound in the early 1950’s in both film and his music, but things were shaky for the future Chairman of the Board during the post war years. So why write about one of Sinatra’s less important films? There was a personal connection, well sort of, that attracted me to watch. Continue reading
Jules Dassin’s Brute Force is a brutally, cruel, claustrophobic prison film that will turn your knuckles bloody to the skin. This was the director’s first venture into the world of film noir. It has a tough hard core texture, thanks to not only Dassin’s sharp direction, but the cinematography of William H. Daniels (The Naked City, Lured) and the music score of Miklós Rózsa (Ministry of Fear, Woman in Hiding). Continue reading
The opening scenes of The Spiral Staircase, where we first meet Helen (Dorothy McGuire), take place in a hotel ballroom that has been set up as a make shift movie theater. There’s a hand written sign that states there are two showings, 4:30 and 7:30. Then we see a silent film flickering on the screen; a woman is on the piano accompanying the storyline. In the back, we see a “projectionist” hand cranking the film through the projector. Finally, there is the audience sitting on hard wooden benches enthralled by the flickering images of this infant art. It is a great scene that gives film lovers a glimpse at what it was like when the movies were young. Continue reading