For many years, around the holiday season, the Catholic Church had a pledge they brought forth to their parishioners. The oath was for “Good” Catholics not to attend any film considered morally objectionable, that is, the big C word was applied…Condemned!For years, the Church’s list of objectionable films was a dominant force that changed filmmaking. Many directors, among them Stanley Kubrick (Spartacus) and Billy Wilder (The Seven Year Itch), edited their films, eliminating scenes found objectionable. While it’s true most of the films on the list were foreign that received the condemned rating there were exceptions. In 1953, Otto Preminger’s lightweight romantic comedy, The Moon is Blue was given the dreaded C rating, this after the Hays Office refused to give the film its seal of approval and Preminger and United Artists refused to make what today seem like ridiculous deletes.
Considering the subject matter, it’s amazing that the low budget, Who Killed Teddy Bear was released in 1965. The film is a smorgasbord of Production Code taboos broken one after another: incest, masturbation, homosexuality and more. It all set in the seedy lurid world of 1960’s slime filled Times Square. It’s an oddity for sure, and a definite bump up above the typical sexploitation movies that decorated the deuce and Times Square back in the day, if for no other reason than the cast includes Sal Mineo, Juliet Prowse, Jan Murray and Elaine Stritch. One other reason to watch is due to the gritty, noirish cinematography provided by Joseph C. Brun (Odds Against Tomorrow, Edge of the City). One word of warning. Though over fifty years old and not as graphic as films today, Who Killed Teddy Bear may still be unsettling for some. Continue reading
There was a lot of buzz about A Countess From Hong Kong when it was first announced. After all, it would be Charlie Chaplin’s first film in more than ten years. The buzz increased, even more, when it came out that Marlon Brando and Sophia Loren would star. What a combination! The Little Tramp, Stanley Kowalski and Italy’s greatest export since pizza and pasta. How could it miss? Continue reading
On my other blog, John Greco: Musings on Film, Photography, Writing and Other Things That Go Pop Culture into the Night, I recently posted an article I wrote eight years ago on Whatever Happened to Baby Jane? adding in a new introduction related to the current TV series Feud: Bette and Joan. You can read it by clicking here.
While over there take a look around and give it a follow if so desired.
Private Property is an independent film from 1960 about two young and dangerous drifters who spy on and eventually work their way into the home of a beautiful young married woman. At the time of its release, the film was condemned by the Catholic Legion of Decency for its lascivious themes and violence. Thought to have been lost for many years, Private Property is a voyeuristic journey into the minds of the morally corrupt. Corey Allen, of Rebel without a Cause fame and later a TV director, and Warren Oates star as the two vicious losers out for a good time at any expense.
The Victors has had a long history. Released in 1963, it was quickly pulled and edited, then released back out to the public. Since then the film has been hard to find and when it has been available, there have been multiple edited versions. It’s been a film I have been wanting to see for many years. Recently, a local cable station showed the film on Memorial Day (I wrote this a few months ago and never published it) giving me the chance. Which version I have no idea, but it did not disappoint. Continue reading
Frank Sinatra was never shy about expressing his political beliefs. As far back as 1945, he made The House I Live, an eleven minute short film with a plea for tolerance. By 1960, Frank was back on top of the entertainment world. He was one of the most powerful figures in Hollywood. Still a political liberal, Sinatra wanted to produce and direct a serious film. He chose William Bradford Huie’s non-fiction book, The Execution of Private Slovik (1954), the story of the only American soldier executed since the Civil War. Sinatra hired Albert Maltz, who coincidently happened to have written the The House I Live In script to do the adaptation. Maltz was one of the original Hollywood Ten blacklisted in Hollywood. By 1960, HUAC and the witch hunts were over, though remnants of the stink it created remained. Many writers still could not get a job, at least under their own name. Continue reading