Robert Mitchum may have been a little long in the tooth to play Philip Marlowe, and the film itself is no hipster revisionist tale like Robert Altman did with The Long Goodbye just a few years earlier. Farewell, My Lovely is a straight throwback to the classic days of Bogart, Powell, and Montgomery. Mitchum, of course, starred in many classic noirs: Out of the Past, Angel Face, The Racket and Where Danger Lives are just a few. This was Mitchum’s first time portraying the P.I. In 1978, Mitchum would again play Marlowe in the Michael Winner remake of The Big Sleep. That film was a bit of a misfire. While not as bad as its reputation, let’s just say Bogart and Howard Hawks have nothing to worry about. Continue reading
When I lived in New York City, I rode the subway from Brooklyn to Manhattan every workday. The ride from where I lived to 23rd street in Manhattan took about forty-five minutes to an hour each way. It was perfect reading time. There was nothing else to do but stare at other passengers and that could only get you in trouble. I cannot count the number of books I read during that daily trek. One of them was John Godey’s bestselling urban thriller, The Taking of Pelham One, Two, Three. Both the book and the 1974 film exploit the always present fears New Yorkers internally experience when they find themselves caught in enclosed spaces and escape is out of your hands. Continue reading
“I was born in a crossfire hurricane…” Sympathy for the Devil – The Rolling Stones.
For the first time since 1966, The Rolling Stones were touring America. It was 1969, and the venues were large palaces like Madison Square Garden. It was a month-long tour that began in early November and cumulated one month later. The Stones were on fire. Jagger is in top form strutting on stage like a rooster let loose in a hen house. The music is raw, and the audience primed. The MSG concerts would be preserved with the best cuts eventually finding their way on vinyl in 1970 as Get Your Ya Ya’s Out. The Stones agreed to end their tour with a free concert in California, a sort of west coast version of Woodstock. Continue reading
This is the first of five articles I am doing for the TV Count Down now in progress at Wonders in the Dark.
by John Greco
The Odd Couple was one of those shows that was never a huge hit during its original TV run. For five-seasons it ran on ABC and not once did it crack the Top 20 in the Neilson ratings. However, once the show was cancelled and put in syndication, it became a favorite, still running today on various cable stations and streaming services. The shows two stars made more money once the show went into syndication than they did during the original run.
The show was based on Neil Simon’s hit Broadway play  that opened in March of 1965 and ran for more than two years. Walter Matthau played Oscar Madison, the sloppy, gambling sports-writer for The New York Herald with Art Carney as the finicky television news writer, Felix Unger.  The play won numerous Tony Awards including Best Play, Best Actor for Matthau, and Best…
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Robert H. Rimmer’s 1966 novel, The Harrad Experiment, was a moderate success when first published in hardcover. One year later, Bantam Books published the paperback version, and the book exploded selling over 300,000 copies in one month, eventually selling over three million. Rimmer, who died in in 2001, wrote close to twenty books, both fiction and non-fiction, most, if not all, focusing on unconventional, free love relationships outside the norm of monogamy. The Harrad Experiment was his most successful work spawning a second related nonfiction book called The Harrad Letters to Robert H. Rimmer. Continue reading
After recently watching Sofia Coppola’s first rate remake of the 1971 gothic western, The Beguiled, I was motivated to take a look at the original Don Siegel directed film which I have not seen since it was first released back in 1971. Both films stay close in plot, but head in alternate directions when it comes to a point of view. That may be in part due to the gender difference of the directors as well as the mores and attitudes that have evolved in the more than forty years separating the two works. Continue reading
I have always had an affinity for newspaper themed films. As a kid in Junior High, I had, for a short period, illusions of being a newspaper reporter. I’m not sure what exactly sparked this interest, but while the desire to be a reporter died my love of films with newspapers/reporters has remained strong. Billy Wilder’s Ace in the Hole, Sam Fuller’s Park Row, Alan Pakula’s All the President’s Men, Howard Hawks’ His Girl Friday, Alexander MacKendrick’s Sweet Smell of Success, Orson Welles’ Citizen Kane, Phil Karlson’s Scandal Sheet, Richard Brooks’ Deadline U.S.A. and more recently Tom McCarthy’s Spotlight are just some of my favorites. As you can tell from this small list, newspaper reporting can be an heroic endeavor or it can be down and dirty, even scandalous. Continue reading