Across 110th Street is an intense, nasty, hard-boiled heist film that from its opening moments to its final freeze frame finish never lets up. The pacing furious and deadly. Shot on location, mostly in Harlem, this film is too easily characterized as just another blaxploitation film; it’s not, this is a top-notch crime film that is a must-see for crime film connoisseurs. Continue reading
John Boorman’s 1967 neo-noir Point Blank is based on the novel, The Hunter, the first of twenty-three hard-boiled paperbacks about a career criminal who goes by the singular name of Parker. The series was written by Richard Stark, one of many pseudonyms used by Donald E. Westlake, one of the all-time great crime fiction writers our time. Westlake’s career spread across novels, screenplay, and television. Several of his many books have made it to the big screen including The Split (1968) The Hot Rock (1972), Cops and Robbers (1973), Bank Shot (1974) and Two Much among others. Westlake’s screenplay credits include The Grifters (2000), adapted from famed pulp fiction writer Jim Thompson novel, and The Stepfather. Two of my own personal favorite works of Westlake books are both standalone novels: The Hook and The Ax. Continue reading
Brad Anderson’s new film, Beirut has been receiving mixed reviews. Some critics are calling it not accurate. That said, it remains one of the more intelligent and adult films released so far this year which means it will lose money and die a quick death at the box office. With no Marvel superheroes or bottom-feeder level comedy, the film has little to attract the majority of today’s audience. Continue reading
Robert Mitchum may have been a little long in the tooth to play Philip Marlowe, and the film itself is no hipster revisionist tale like Robert Altman did with The Long Goodbye just a few years earlier. Farewell, My Lovely is a straight throwback to the classic days of Bogart, Powell, and Montgomery. Mitchum, of course, starred in many classic noirs: Out of the Past, Angel Face, The Racket and Where Danger Lives are just a few. This was Mitchum’s first time portraying the P.I. In 1978, Mitchum would again play Marlowe in the Michael Winner remake of The Big Sleep. That film was a bit of a misfire. While not as bad as its reputation, let’s just say Bogart and Howard Hawks have nothing to worry about. Continue reading
Georgia O’Keeffe, a pioneer of the modern art movement and one of the most famous American female artists, captured through her abstract depictions of large flowers, animal skulls and the landscape of the Southwest, the power, the emotional pull and perception of abstraction in art. O’Keeffe was unique; she followed no artistic school or thought. Her vision of form and design all came from within her own spirit. Continue reading
Like Florida, Out of Time is laid back and easy, at least it starts off that way. We meet Banyan Key Police Chief Matt Lee Whitlock, a smooth Denzel Washington, as he makes his rounds one hot evening in the small coastal town. Relaxing back at the office, he receives a phone call from one Ann Merai Harrison (Sanaa Lathan); there’s an intruder outside her small house, can he come over. At her home, he begins asking a series of questions. We soon realize they are both acting out a coquettish sexual game that ends up with them in bed. The playful sexuality is as hot as the Floridian temperature in the dead heat of summer. Continue reading
A dark Los Angeles night. A reckless speeding car is seen racing through the streets running a red light. When it comes to a screeching stop, a hunched over man gets out and enters the Pacific All Risk Insurance Co. Building. After looking at row after row of desk after repetitive desk, he goes into his private office. The man is hurt badly. Hunched over, perspiration running down his face, he begins to tell his tale into a dictaphone. His name is Walter Neff, and he is about to make a confession. Continue reading
Considering the subject matter, it’s amazing that the low budget, Who Killed Teddy Bear was released in 1965. The film is a smorgasbord of Production Code taboos broken one after another: incest, masturbation, homosexuality and more. It all set in the seedy lurid world of 1960’s slime filled Times Square. It’s an oddity for sure, and a definite bump up above the typical sexploitation movies that decorated the deuce and Times Square back in the day, if for no other reason than the cast includes Sal Mineo, Juliet Prowse, Jan Murray and Elaine Stritch. One other reason to watch is due to the gritty, noirish cinematography provided by Joseph C. Brun (Odds Against Tomorrow, Edge of the City). One word of warning. Though over fifty years old and not as graphic as films today, Who Killed Teddy Bear may still be unsettling for some. Continue reading
John Ford’s The Grapes of Wrath is one of classic Hollywood’s most impressive and important films. Based on John Steinbeck’s 1939 novel, a morally emotional work filled with both rage and empathy; it won both the National Book Award and a Pulitzer. One year after the book’s publication came Ford’s masterpiece.
TCM is broadcasting the film on Friday (February 10th) at 8PM (Eastern).
Down below is an excerpt from my e-book, Lessons in the Dark, where you can read more about The Grapes of Wrath classic films. Available at Amazon. Continue reading
Arsenic and Old Lace is the story of two sweet and charming elderly sisters who happen to be mass murderers. It’s a delightfully hysterical farcical comedy with some dark overtones. Perfect for this time of the year and especially on Halloween. Continue reading