If you expecting to find at least one of those Doris Day comedies to pop up on this list, well sorry but Ms. Day, with or without Rock Hudson, will be found nowhere on site. I am not an admirer, or fan. Day does have a nice comedic touch and some of her comedies are pleasant (Pillow Talk and Lover Come Back), but her virginal, sugary, spunky self, I just find annoying. Like Mary Tyler Moore’s Lou Grant once said, “I hate spunk.” I don’t mean to turn this into a tirade against Ms. Day, but in the 1960’s, the times, they were a changin.’ and films like With Six You Get Eggroll did not cut it. Anyway, here is my list for the decade that helped defined me.
A dark Los Angeles night. A reckless speeding car is seen racing through the streets running a red light. When it comes to a screeching stop, a hunched over man gets out and enters the Pacific All Risk Insurance Co. Building. After looking at row after row of desk after repetitive desk, he goes into his private office. The man is hurt badly. Hunched over, perspiration running down his face, he begins to tell his tale into a dictaphone. His name is Walter Neff, and he is about to make a confession. Continue reading
Barbara Stanwyck was always at her best when her character came from the wrong side of the tracks. She seemed to have a natural affinity for those whose lives have mostly been filled with hard times, scrapping by the best way they can. Maybe, it had to do with her sad Brooklyn upbringing, her mother dying when she was four, pushed from a streetcar by a drunk, and her father leaving only weeks later, never heard from again. That kind of pain has to leave an indelible mark on one for life. Yet, beneath the tough exterior would hide a gentle desirous heart longing for acceptance and love that would eventually reveal itself. This double side of Stanwyck’s persona is clearly on display in many of her films including this 1940 holiday comedy/drama.
Fred MacMurray is prosecuting Assistant District Attorney, John Sargent. He arranges through a legal technicality, to have Lee Leander’s (Barbara Stanwyck) trial for shoplifting postponed until after the holidays. This gesture results in Lee, unable to post bail, having to spend the long holiday week in a jail cell. Sargent, in a twinge of guilt, or holiday spirit, arranges through a shady bondsman to have Lee’s five thousand dollars bail paid. When the bondsman delivers Lee to the ADA’s apartment, she is cynical enough, and has no doubt, her payback to him will be in sexual favors. To her surprise, Sargent expects nothing in return. He really just did not want her to spend Christmas in jail. The look of surprise in Lee’s eyes and face is priceless when this realization hits her. Continue reading
My first exposure to Fred MacMurray was with his early 1960’s family oriented sit-com, My Three Sons. Fred was a sort of befuddled widower who brought up three boys with the help of a crusty father-in-law (William Frawley) and later on a great uncle (William Demerest). During these same years, MacMurray made a series of family oriented films for Walt Disney; Son of Blubber, The Absented Minded Professor and Bon Voyage among them. The show, and these films, cemented an early image for me of MacMurray as a rather dull, and bland actor, a nice guy but uninteresting. In my defense, I have to add that at the time I knew very little about MacMurray’s earlier film career.
That would change the first time I watched Billy Wilder’s noir masterpiece, Double Indemnity. His Walter Neff was a classic noir sucker for a dame, willing to do dirty deeds for money and even more so for a seductive evil woman. Wilder once again brought out MacMurray’s dark side some years late in The Apartment where he played a sleazy corporate executive who used both women and men, in different ways, for his own salacious, adulterous desires. These two films exposed me to a new side of Fred MacMurray; He still looked like the nice quiet guy who lives next door but now underneath that good guy exterior laid a dark character with immoral desires. Continue reading
“She’s been a good little wife.”
“….yes, to the both of us”
Jean Arthur’s talents shine in this light, witty, sophisticated comedy. In “Too Many Husbands” Jean has, well too many husbands, one too many to be exact. Husband number one, Bill Cardew (Fred MacMurray), is presumed lost at sea. His widow, Vicky (Jean Arthur) marries Bill’s publishing partner, Henry Lowndes (Melvyn Douglas). At the one-year anniversary of Bill’s disappearance, Henry is having Bill’s office cleaned out and his name removed off the firm’s door. Meanwhile, Vicky’s father who is at home answers a phone call, on the other end of the line is Bill announcing that he is alive! Sound familiar? Well, yes since the premise is similar to the Cary Grant, Irene Dunne film, “My Favorite Wife” which was released in May of 1940 two months after “Too Many Husbands” hit the screen. Only in the Garson Kanin directed movie Cary Grant ends up married with two wives.
The grand reunion is needless to say a confusing one especially for our heroine who soon realizes she loves both men. She in fact loves them so much she cannot make up her mind who she wants to stay married too. Both men compete to win Vicky’ heart hoping that she will dump the other, however, it turns out Vicky is enjoying the attention she is receiving and cannot, or will not, make a decision. The two husbands start to rekindle their friendship and conclude they are being played for saps. They decide to teach Vicky a lesson by disappearing. Unfortunately, she calls the police who uncover that our heroine is a bigamist. The case is brought before the court where the presiding, judge rules who Vicky is officially married to. However, it does not end there since the loser refuses to give up his pursuit of his “wife.” Vicky and the two men pretty much ignore the court’s decision and as the films ends, she and her two “husbands” are dancing the night away as a threesome.
“Too Many Husbands” is a fun film with three wonderful and charming performances, directed with a light touch by Wesley Ruggles. Jean Arthur, and a witty script, though are the real reasons to watch this film. She is enchanting and simply seems to be having a good time in the role. Melvyn Douglas provides a stylish touch having already whet his feet with sophisticated comedy having just come from filming Lubitsch’s “Ninoctchka.” Fred MacMurray is the less sophisticated of the two playing Jack Lemmon to Douglas’s Walter Matthau. MacMurray was fortunate enough to have worked with both Arthur and Carole Lombard. The film opened in March 1940 at Radio City Music Hall and surprisingly, at least to me, did not do well at the box office. The script, written by Claude Binyon, was based on a play called “Home and Beauty”, by W. Somerset Maugham. There are also entertaining performances by Henry Davenport as Vicky’s father, Melville Cooper and in small role as a police officer is Edgar Buchanan.
“Too Many Husbands” is a somewhat more suggestive film than “My Favorite Wife” especially the ending where it seems Vicky will be continuing to have a relationship with both men. There is also an underlying hint of gay references in the dialogue, when the two husbands are forced to share a bedroom. It is surprising how much the filmmakers were able to slip passed the censors. One wonders if they were too busy paying attention to the bigamy plot letting these other subtle insinuations get by?
As previously mentioned, only a couple of months later the better-known “My Favorite Wife” was released. In another touch of irony, both films were remade years later, “Too Many Husbands” was turned into a musical in 1955 called “Three for the Show” with Betty Grable and Jack Lemmon and “My Favorite Wife” in 1963 as “Move Over, Darling.” This last film has a long history of it own, which is well know. Originally, it was to be a vehicle for Marilyn Monroe co-starring Dean Martin called “Something’s Got to Give.” Monroe was difficult during the shoot and was fired by 20th Century Fox who then signed Lee Remick as her replacement. Dino walked off the film saying, no offence to Remick but he signed to star with Monroe. Fox rehired Monroe but unfortunately her problems ran deep and was soon found dead of an overdose. Production was shut down and the film was never completed. The story was resurrected a couple years later with Doris Day, James Garner and Polly Bergen, and now called “Move Over, Darling.”
“Too Many Husbands” is a pleasant diversion not reaching the level of screwball greats, still it has aged well with Ms. Arthur’s character looking more modern and certainly more liberated than most female characters of the day. The film has recently been released on DVD as part of the “Icons of Screwball Comedy Volume 1.”