Revisiting Some Like it Hot


Selecting a favorite film is not easy, at least for me. I am always jumping back between two or three films; Alfred Hitchcock’s Rear Window or two films by Billy Wilder, Double Indemnity and Some Like it Hot. These two directors were there almost from the beginning of my love affair with film. So when it came to choosing a favorite film for this blogathon or any reason it becomes one more time where I have to make a torturous choice. That’s because in a week, a day, a minute from now I will be doubting myself for not going with one of the others. I have written about Rear Window in two different articles and once about Some Like it Hot. Surprisingly, at least to myself, I have yet to write about Double Indemnity. From the title of this article you can easily surmise that I still haven’t. I decided to go with Wilder’s 1959 farce, a reposting of an article I wrote some time back, primarily because of what  you are about to read in the following paragraph. I was a young teen when I did what I discuss and have always felt a visceral connection to this film.  The humor, the writing, the pacing, Jack Lemmon and Marilyn. it all came together. Anyway, here is the original article. Continue reading

The Apartment (1960) Billy Wilder

The Apartment Title Card

Office politics has changed a lot over the years but sex in the workplace, in one form or another, is alive and well. Billy Wilder’s superb comedy/drama is a time capsule look back at one man’s struggle on how to succeed in business by lending out his apartment to four middle level company executives on various nights for their extramarital liaisons. In exchange, the four executives praise our antihero at work, writing glowing reports on him to senior management, including putting in good words with Mr. Sheldrake (Fred MacMurray) the top dog at personnel.

C.C. “Bud” Baxter (Jack Lemmon) is the original lonely guy, an actuarial, crunching out numbers for a major insurance company. Baxter works at a drab grey desk in a large corporate office building, populated by faceless individuals all working at hundreds of other drab grey desks.

Baxter’s home life consists of frozen dinners, watching TV and cleaning up the empty liquor bottles left over from the night’s escapades, bottles which he leaves outside his apartment door for garbage pickup, suggesting, to his neighbors, Dr. Dreyfuss (Jack Kruschen) and his wife, that Baxter leads a wild life of swinging parties. Continue reading

Some Like it Hot (1959) Billy Wilder

This posting is my contribution to the CMBA Comedy Classics Blogathon which runs through Jan. 27th. You can find more contributors here.


Do you remember the first film you ever recorded? I do, it was Billy Wilder’s “Some Like it Hot” way back sometime in the 1960’s. “Wait a minute!” You say, “How can you have recorded it back in the 1960’s when VCR’s did not come out until the late 1970’s?” Well, it was simple, on a reel-to-reel tape recorder. I loved this film so much I recorded the entire soundtrack. I use to lay down in bed or on the couch with my headphones on and listen to the entire movie, visualizing all the scenes.

Crazy, weird? Probably, I am sure my parents thought so.

Needless to say, “Some Like it Hot” is one of my favorite movies, it has stood the test of time. Because of this film, I became a lifelong admirer of both director Billy Wilder and Jack Lemmon. It is a film I never get tired of watching.

Before and since its release in 1959, there have been many films that have used men in drag as a plot device (“I Was A Male War Bride”, “Tootsie”, “La Cage aux Folles”), even TV shows like “Bosom Buddies” got into the act, however none have come close or surpassed “Some Like it Hot” in its farcical humor. The well-known storyline is simple, it is 1929, two Chicago musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon), witness The Saint Valentine’s Day Massacre after which they decide it might be best for their health if they leave town. The only jobs available are as musicians in an all girl band heading for Florida. It is at the train station they meet Sugar “Kane” Kowalczyk (Marilyn Monroe) a ukulele player and singer with the band. Continue reading