In the opening scenes of Seven Days in May we find picketers from both sides demonstrating outside the White House. Tempers are high. A riot breaks out, and the police come in attempting to break up what has turned into a free for all. Those divisive times were more than fifty years ago. It’s amazing how times have not changed. Today it is no different, tolerance and respect are in short supply. For many of us, emotions are driven by fear. We live in a period where Americans fear foreigners, terrorists, North Korea, Iran, Nuclear war and more. Fear drives irrational behavior. Continue reading
Frank Sinatra was never shy about expressing his political beliefs. As far back as 1945, he made The House I Live, an eleven minute short film with a plea for tolerance. By 1960, Frank was back on top of the entertainment world. He was one of the most powerful figures in Hollywood. Still a political liberal, Sinatra wanted to produce and direct a serious film. He chose William Bradford Huie’s non-fiction book, The Execution of Private Slovik (1954), the story of the only American soldier executed since the Civil War. Sinatra hired Albert Maltz, who coincidently happened to have written the The House I Live In script to do the adaptation. Maltz was one of the original Hollywood Ten blacklisted in Hollywood. By 1960, HUAC and the witch hunts were over, though remnants of the stink it created remained. Many writers still could not get a job, at least under their own name. Continue reading
The biggest problem John Frankenheimer’s 1966 movie “Seconds” had at the time of its original release was having Rock Hudson in the lead role. Hudson was still a huge star (he was one of the top 10 most popular stars from 1957 to 1964), however his fans were not interested in seeing him in such a dark science fiction/psychological film, and fans of this type of film were not going to see a “Rock Hudson movie.” The results? “Seconds” died a quick death at the box office. In retrospect, while Hudson was no Robert DeNiro he does gives one of the best performances of his career in a film unlike anything he ever did before or after. Frankenheimer had been on a roll since the beginning of the 1960’s. In the previous five years, he made “The Young Savages,” “All Fall Down,” “Birdman of Alcatraz,” “The Manchurian Candidate,” “Seven Days in May” and “The Train” followed by “Seconds,” though he would soon embark on a more erratic course from which he would not recuperate from until the 1990’s with a series of excellent TV movies.
Man is never satisfied with who he is or what he has in his life. What if your family life had lost its purpose, your job had lost all meaning, and your entire life was one big disappointment. What if you were given the chance to change your life, erase it all and start all over again? What if you could live the life you have only dreamed about? For Arthur Hamilton (John Randolph) this chance happens when he meets an old friend, presumed to have died year’s earlier, who arranges a meeting that puts Arthur in contact with a secret group only known as “The Company.” The Company offers wealthy bored individuals a chance at a completely new life. They will fake Arthur’s death, provide extreme plastic surgery and give him a totally new identity, in Arthur’s case, as an artist known as Tony Wilson (Rock Hudson). Continue reading