Backbeat is not just another Beatles biopic; it’s more of an intimate story of friendship, love and ultimately death. The film’s focus is not on the rise of the group’s fame but, more on the triangular relationship between German photographer Astrid Kirchherr, Stu Sutcliffe, the original fifth Beatle, and John Lennon.
The years were 1960 to 1962. Stu Sutcliffe (Stephen Dorff) is an art student, a talented painter with sensitive, good looks, a James Dean aura and a rock and roll heart. He also has a best friend by the name of John Lennon (Ian Hart). Lennon’s ragtag band then consisting of Paul McCartney, George Harrison and Pete Best were on their way to Germany to perform along the Reeperbahn district. Stu played base and was in the band due to John’s insistence and Stu own loyalty to his friend. Continue reading →
By 1992, Joe Pesci had been around for thirty years beginning with a small role in the 1961 film, Hey, Let’s Twist, a showcase for the then chart-topping rock and roll group, Joey Dee and the Starliters (Peppermint Twist). Pesci began getting some attention in the mid-1980’s with films like Easy Money and Once Upon a Time in America. But it was not until 1989 with Lethal Weapon 2 and 1990 with the double whammy of Home Alone and Goodfellas that Pesci became a name on everyone’s lips. Riding this success, Pesci had a series of important roles over the next few years. In 1992 alone, he appeared in Home Alone 2: Lost in New York, Lethal Weapon 3 and My Cousin Vinny. That same year he also had the lead role in the little-known film, The Public Eye.Continue reading →
Photography was in its infancy when Abraham Lincoln was running for President. It was a cumbersome and deliberate process. Cameras were these large boxes, set upon sturdy bulky tripods, using wet plates and a slow exposure making the possibilities of the sort of images captured limited. Continue reading →
One Hour Photo is a sobering introspective look on why we are a world addicted to taking pictures. Today even more than ever we have this passion, desire, this need to record almost everything we do with a photograph. Many of us photograph as a sort of visual diary of family, friends, place we have been. For some of us, we take pictures to capture a fleeting moment that will never happen again. It could be a person’s expression or clouds patterns or waves crashing; they only happen once, and the camera catches it forever. For others taking photographs is a validation of sorts that yes we live, we exist. For Seymour “Sy” Parrish (Robin Williams) though, photographs are an escape from his painful past and an imaginary lifeline to a normal life. Continue reading →
Some movies, well actually a lot movies, are flawed, but you like them anyway. There are reasons that even though you know the movie doesn’t work, it connects with you. When Eyes of Laura Mars came out in 1978 I was excited. On paper it had a lot going for it; a script by the then hot and upcoming John Carpenter, there was Faye Dunaway, still hot with recent hits like Chinatown, Network and Three Days of the Condor, just behind her, and most personally for myself, the main character was a photographer. Continue reading →
Richard Avedon was one of the best known and most influential portrait and fashion photographers of his day. He changed the concept of what was fashion photography and how it was presented. He has remains an artistic hero to many, right to this day. Born in 1923, in New York City, Avedon’s parents were both in the fashion business. His father, Jacob Avedon, owned and ran Avedon’s Fifth Avenue, a clothing store. With his family background, young Richard took an early interest in fashion and began photographing outfits from his father’s store. When he was twelve years old, Richard became a member of the Camera Club at the Young Men’s Hebrew Association. Continue reading →
Photographer Bill Cunningham admits he is no artist. He is neither a commercial photographer like Bert Stern nor a documentarian such as Dorothea Lange. But what he does, he does well. Cunningham is a well-known photographer in the world of fashion but don’t pin that label him either. That’s not what he does. He emphatically says so himself. He says this though he has worked for Vogue, the original Details and currently works for The New York Times. Continue reading →