As a photographer, I found this film more interesting than it arguably deserves to be. The photography studio, the darkroom, the Rolleiflex camera that Lila Crane’s mentor gives her as a gift is all nicely detailed. As part Columbia’s Bad Girls of Film Noir, the film’s inclusion in volume two is questionable. The first thing to point out this is not a film noir. Columbia’s long arm of credibility was at work including this in the box set. And compared to Night Editor, another film in the package that stars Janis Carter as one of the most evil femme fatale’s to ever grace the screen, making Lila Crane look like miss goody two shoes. Continue reading
It takes a certain quality to be street photographer. You need to get close enough to your subject in order to capture that decisive moment, yet manage to remain elusive, almost invisible to all. You always take the chance of offending someone for invading what may be considered a private moment. It’s a balancing act.
An unassuming woman, Vivian Maier, roamed the streets taking, and compiling, street scenes totaling more than 150,000 negatives and rolls of film. What may have helped Maier shoot her photographs without making eye contact was the type of camera she used. She always carried a Rolliflex which unlike a single lens reflex camera was the kind of camera you held at waist level, looked down at and thru the viewfinder. This meant, unlike with SLR’s you, the photographer, did not directly engage in eye (lens) to eye contact with the subject. It’s possible many of Maier’s subjects were not even aware they were being photographed. Continue reading
Photographer Bill Cunningham admits he is no artist. He is neither a commercial photographer like Bert Stern nor a documentarian such as Dorothea Lange. But what he does, he does well. Cunningham is a well-known photographer in the world of fashion but don’t pin that label him either. That’s not what he does. He emphatically says so himself. He says this though he has worked for Vogue, the original Details and currently works for The New York Times. Continue reading
I recently wrote a short review about Ric Burns documentary on photographer Ansel Adams over at my photography blog. Click here if you would like to take a look.