The 1970’s in film ranks as one of the best decades in its history. It’s up there with the 1930’s and 1950’s. The Godfather 1 & 2, Mean Streets, The Last Picture Show, One Flew Over the Cuckoo’s Nest, Five Easy Pieces, All the President’s Men, American Graffiti, Taxi Driver, Jaws, Apocalypse Now, The Exorcist, Chinatown, A Clockwork Orange, Rocky, The Sting, The Shining, Dog Day Afternoon, The French Connection, The Conversation, Serpico and many more. Comedies had their share of greatness too, led by Woody Allen and Mel Brooks, in a decade that thrived on great cinema. Continue reading
As a kid, some of my favorite TV shows included The Honeymooner’s, The Abbott and Costello. Show and The Little Rascals. The Rascals were on in the afternoon, and I was religious in watching them unless my mother forced me to do my homework which she always did. I would tell her, “the show’s almost over!” That was always my official reply even if the show just began. Continue reading
”You mean there’s a catch?”
“Sure there’s a catch,” Doc Daneeka replied. “Catch-22. Anyone who wants to get out of combat duty isn’t really crazy.”
“There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane, he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to, he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.”
“That’s some catch, that Catch-22,” he observed.
“It’s the best there is,” Doc Daneeka agreed. (Joseph Heller, Catch-22) Continue reading
“No government ought to be without censors; and where the press is free, no one ever will. If virtuous, it need not fear the fair operation of attack and defense. Nature has given to man no other means of sifting out the truth, either in religion, law, or politics.” – The Papers of Thomas Jefferson, Volume 24: 1 June-31 December 1792.
If you expecting to find at least one of those Doris Day comedies to pop up on this list, well sorry but Ms. Day, with or without Rock Hudson, will be found nowhere on site. I am not an admirer, or fan. Day does have a nice comedic touch and some of her comedies are pleasant (Pillow Talk and Lover Come Back), but her virginal, sugary, spunky self, I just find annoying. Like Mary Tyler Moore’s Lou Grant once said, “I hate spunk.” I don’t mean to turn this into a tirade against Ms. Day, but in the 1960’s, the times, they were a changin.’ and films like With Six You Get Eggroll did not cut it. Anyway, here is my list for the decade that helped defined me.
Abbott and Costello never received the critical respect they deserved in the comedy world; they were considered too low-brow. Yet, for me back when I was in Junior High School, The Abbott and Costello Show, a mainstay on New York City’s WPIX-TV channel 11, along with The Honeymooners, was must-see TV. It’s lost in my own little file cabinet of mental history how many times I watched those episodes. I do know my mother never understood the repeated viewings as she would ask over and over again, “haven’t you seen this already?” Yes, was my answer, they’re funny. She would walk away shaking her head. Continue reading
Reblogging The Asphalt Jungle, an article I wrote a few years back. It’s on TCM today at 5:45PM Eastern. Don’t miss it!
Note: There are spoilers in the article.
Everyone has a weakness, and if you let it consume you it just might do you in: young girls, high living, horses, it does not matter, they can all become vices and destroy you. That what happens to the various characters in John Huston’s classic caper film “The Asphalt Jungle.” Written by Huston and Ben Maddow, based a novel by W.R. Burnett whose tough yet effortless style is responsible for such other memorable films like “Little Caesar” and “High Sierra.”
“The Asphalt Jungle” is the first caper movie to detail in a realistic, gritty style, a step by step process on how to pull off a heist job. It definitely set the standards for future heist films to come like “Rififi,” “The Killing,” “The Anderson Tapes,” “The Usual Suspects,” “Reservoir Dogs” and even a lesser film like “Ocean’s 11” all of which owe…
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