Note: A couple of years ago I did a series of reviews for Halo-17 an Australian music and arts website which from what I can tell is no longer out there in cyber space. In the past I have occasionally linked to some of these reviews here at Twenty Four Frames. Recently, it seems all the links lead to an internet void, subsequently over the period of the next few weeks and months I will be posting these reviews here in updated versions. The current postings with broken links to some of the reviews, like “The Panic in Needle Park” and “Thieves Highway” will be deleted and new full reviews, updated will appear sometime in the near future. “The Candidate” appears here for the first time.
In the early 1970’s Michael Ritchie was an up and coming filmmaker with a fairly decent list of films including, “Downhill Racer,” “Prime Cut,” “Smile,” “The Bad News Bears,” “Semi Tough,” and “The Candidate.” After “Semi-Tough” in 1977, Ritchie’s career became somewhat erratic. There were still a few minor decent works like “Fletch”, and the concert film “Divine Madness” but more and more there were depressingly bad films like “The Couch Trip”, Wild Cats”, “The Golden Child”, “Cops and Robbersons”, “The Island” and “An Almost Perfect Affair.” Sports, competition have been major themes in Ritchie’s films and if on target, well pointed satire. Of all his films, ‘The Candidate” is arguably his best. An on target assault on the American political system that is even more relevant today than it was over thirty-five years ago when it was first released. Continue reading