It’s a shame that One More Tomorrow is not a better film. Not that it’s bad, it’s just that the potential was there to be so much more than the sum of its parts. Based on Phillip Barry’s 1932 Broadway play, The Animal Kingdom that starred Leslie Howard, it was filmed for the first time under the original title with Howard recreating his role of the frivolous playboy Tom Collier. Added to the film’s cast was Ann Harding as Daisy Sage, a bohemian artist, and Myrna Loy, a money hungry socialite, as the two women in his life. Like other works by Barry, the theme of the free-thinking versus the conservatively privileged upper class is at work (Holiday, The Philadelphia Story). I have not seen the 1932 film which from what I have read is stronger in its social commentary but moves at a slower pace. That said, One More Tomorrow is an entertaining film with plenty on its mind. It does get a bit soapy, and its storyline ending is predictable, but given a chance, you will see there’s more to it. Continue reading
What would happen if you took an arrogant, caustic and cynical New York City intellectual and transplanted him into the heartland of America? That was the premise of George S. Kaufman and Moss Hart’s hit play, The Man Who Came to Dinner. The play premiered on Broadway in October 1939 and ran for more than two years, 730 performances to be exact. Legend has it Moss Hart came up with the idea after a visit from the prickly theater critic, New Yorker columnist, Alexander Woollcott, to his country home and began making one demand after another, including shutting off the heat and insisting on a bed time snack consisting of cookies and a milkshake. Woollcott was a member of the famed Algonquin Round Table, a self-proclaimed group of witty and sometimes verbally vicious intellectuals trading barbs and witticisms. They met every day for lunch at the Algonquin Hotel. Among the members were Dorothy Parker, Harpo Marx, Robert Benchley, George S. Kaufman, Robert E. Sherwood, Heywood Broun, Ruth Hale (Broun’s wife) and Marc Connelly. There were other members, some officially part of the group and others who were unofficial occasional visitors. Continue reading
David Goodis is in the pantheon of pulp fiction’s great crime writers. Though not as well known, he’s up there right alongside Chandler, Cain and Hammett. For years Goodis’ work was serialized in magazines and published in book form. Serialized in The Saturday Evening Post, his novel, Dark Passage gave him his big break. Hollywood came a knocking and the result was a big time hit movie from Warner Brothers starring Humphrey Bogart and Lauren Bacall. That same year (1947), he co-wrote, with James Gunn, the screenplay for The Unfaithful, another WB production. Continue reading
Only Warner Brothers, who ripped the stories from the day’s headlines, would have the guts to have put out a gutsy uncompromising perceptive film like “Black Legion.” Released in 1937, the film traces the story of Frank Taylor (Humphrey Bogart), a machinist who gets passed over for a promotion in favor for a more qualified “foreigner,” Polish-American co-worker, Joe Dombrowski (Henry Brandon). Frank, prior to being passed over, was a swell guy, a good family man, liked by everyone at work for his eagerness to do a good job. That all changes after the studious Dombrowski is anointed with the Supervisor position Frank thought he had in the bag. After all, he had many years of service and he was a real American.
Director Archie Mayo paints a brutally ugly picture of bigotry, cowardice and senseless brutality hiding behind a mob mentality of flag waving patriotism. The film’s screenplay, written by Abem Finkel and William Wister Haines, was based on a story by Robert Lord, who wrote a fictionalized version of the secret society known as the Black Legion, a group based in the nation’s heartland who modeled themselves on the Klu Klux Klan. Like the fictional organization in the film, the real Black Legion had a common purpose, keeping America pure for “real” Americans. During their reign there were daily news reports of kidnappings, floggings, hangings, and were responsible for at least two murders, including the death of Workers Progress Administration organizer, Charles Poole. The Black Legion swore to fight against the Catholic Church, Judaism, Communism, “and all the ism’s our forefathers came to this country to avoid.” That is except for racism which they embraced. Continue reading
“Kind Lady” is a 1951 remake of a 1935 film based on a play written by Edward Chodorov which itself was based on a story by English novelist Hugh Walpole. The story is involves an elderly woman and art collector (Ethel Barrymore) who meets a starving artist (Maurice Evans) and sociopath who charms his way, with the help of friends, into her house. Posing as her nephew he holds her prisoner in her own home convincing everyone the kind lady is mentally incapable of taking care of her own affairs. The film is a little loose in style rendering it less effective as a shocker than it could have been but it does have its share of good moments. Fine performances from Barrymore and Maurice Evans. Cast also includes Angela Lansbury, John Williams, Keenan Wynn and Betsy Blair. John Sturges, best known for his work on “Bad Day at Black Rock” and “The Magnificent Seven” directs. (***1/2) Continue reading