After recently watching Sofia Coppola’s first rate remake of the 1971 gothic western, The Beguiled, I was motivated to take a look at the original Don Siegel directed film which I have not seen since it was first released back in 1971. Both films stay close in plot, but head in alternate directions when it comes to a point of view. That may be in part due to the gender difference of the directors as well as the mores and attitudes that have evolved in the more than forty years separating the two works. Continue reading
Don Siegel released two films in 1968, films bookending the changes that were happening in Hollywood, the first film representing the ending of one era and the second beginning of another. Both films are police dramas based in New York City and both films involved law officers who are troublesome renegades to their superiors. They also have some similar casting with actors, Susan Clark and Don Stroud, in both films, yet in “Madigan” starring Richard Widmark and Henry Fonda, we are saying goodbye to Hollywood’s old guard, while with “Coogan’s Bluff” we are welcoming the future in the cool, silent gaze of Clint Eastwood. Director Don Siegel himself was kind of turning a corner in his own career going from a “B” film director to the “A” list along with what would turn out to be the start of a fruitful and professional relationship with Eastwood.
Siegel teamed up for the first time with Eastwood who just completed his first starring role in an American film, “Hang em’ High” and was now looking to move on to his next project, “Coogan’s Bluff,” based on a screenplay by Henry Miller, Dean Riesner and Howard Rodman. The film is a fish out of water story, a culture clash of East meets West, city slickers meet small town country boy. Call it what you will but when the boy is Clint Eastwood the shit is going to fly. Continue reading