Sexually and sadistically charged “The Big Combo,” is a paradigm for what can be accomplished with spare change filmmaking. This film, and the earlier work, “Gun Crazy” (1950) are director Joseph H. Lewis’ masterpieces. While on the surface, a straight forward cops and gangster film, Lewis created a world of brutally bold, off beat characters filled with dark shadows and high contrast lighting, courtesy of the brilliance of the master noir cinematographer John Alton (T-Men, He Walked By Night, Raw Deal and The Crooked Way).