In 1991, American Playhouse, a PBS produced series presented A Marriage: Georgia O’Keeffe and Alfred Stieglitz. The production starred Jane Alexander as O’Keeffe and Christopher Plummer as Stieglitz. There are few, if any, artistic couples who loom as significant in the history of culture and art as Stieglitz and O’Keeffe. Alfred Stieglitz did not consider himself just a photographer, but an artist and through his galleries and his highbrow magazine, Camera Work he almost single-handedly made photography a recognized art form. Additionally, he was a pioneer in introducing the Modern Art movement to America. Continue reading →
Georgia O’Keeffe, a pioneer of the modern art movement and one of the most famous American female artists, captured through her abstract depictions of large flowers, animal skulls and the landscape of the Southwest, the power, the emotional pull and perception of abstraction in art. O’Keeffe was unique; she followed no artistic school or thought. Her vision of form and design all came from within her own spirit. Continue reading →
Photography and filmmaking are brothers, or sisters, under the skin. Cinema would not exist without the birth of still photography. As a photographer, and someone whose has been drawn to celluloid dreams all his life, I thought I’d list a few of my favorite films that have characters who are photographers in significant roles. All six films are available on DVD.
Where else to start than with one of my top five favorite films. REAR WINDOW, directed by Alfred Hitchcock, stars James Stewart as a Life magazine photojournalist confined to a wheelchair after an accident during a photo shoot. With one of his legs in a cast, he spends most of his time looking out his window observing his neighbors until one day he comes to suspect one of them (Raymond Burr) has murdered his wife. Hitchcock not only gives us one of the greatest suspense/thrillers of all time, but exposes the essence of photography and a dark side of human nature…voyeurism. Continue reading →