Repulsion, Roman Polanski’s first English-speaking film opens with an extreme closeup of Carol’s (Catherine Deneuve) eye and ends with a vintage family photo of Carol as a child. In the photograph, Carol is isolated from the rest of the family as Polanski’s camera slowly moves in on her same vacant looking eye. An absolute masterpiece of psychological horror, Repulsion ushered in, along with Hitchcock’s Psycho and Powell’s Peeping Tom the modern-day horror film. Polanski presents a nightmarish, hallucinogenic world full of dark expressionistic shadows with extreme close-ups and wide angles all edited to perfection. The film is the first in an unofficial trilogy of “apartment films” with Rosemary’s Baby and The Tennant completing the threesome. In all three films, Polanski conveys a disturbing unreceptive view of life in city dwellings. Continue reading
Brian De Palma admittedly has been tapping into Alfred Hitchcock since his earliest works going back as far as Murder a la Mod in 1968. However, many other filmmakers have drawn inspiration from or just plain copied the master of suspense over the years including Henri-Georges Clouzot (Diabolique), Jonathan Demme (Last Embrace), Francois Truffaut (Mississippi Mermaid), David Fincher (Panic Room), D.J. Caruso (Disturbia) and Woody Allen (Match Point) just to name a few. It’s difficult to make a suspense film without leaning at least a bit on the master. De Palma’s second foray into Hitchcock’s world came in 1973 with Sisters. After a series of low budget independent films: the previously mentioned Murder a la Mod, The Wedding Party, Greetings and Hi Mom! De Palma signed up with Warner Brothers to make the social satire, Get to Know You Rabbit. Creatively and financially it was a dud. Continue reading
A grisly mass murderer who is known as the “Full Moon Killer,” his victims are always attacked when the moon is full, is on the loose in New York City. The only clue the police have is that the killer must have a medical background. Doctor Xavier, aka Doctor X, (Lionel Atwell) and his staff at a local medical institute have become the main suspects since the victims are not only strangled but cannibalized. The good doctor convinces the police to let him conduct an in house investigation of his staff for 48 hours so as not to stain the reputation of the institute. They agree. Continue reading
A little Halloween fun with this post. A list of my ten favorite horror films plus a dozen more. As a kid, the one film that scared the hell out of me was Robert Wise’s, The Haunting, based on Shirley Jackson’s novel, The Haunting of Hill House. I was a young teen, home alone on a Saturday night. On TV was this ghostly classic. It wasn’t what you saw that was scary, it was what you didn’t see. The unknown and the unseen are definitely more frightening. I was never so happy to have my parents finally come home!
I always found horror films that take place in normal or everyday situations, meaning without monsters or blobs, much scarier than the ones with three headed creatures or aliens. Rosemary’s Baby takes place in New York City. A typical couple who live in an apartment building with neighbors all around. Who doesn’t have neighbors, right? We can all relate. Rosemary’s only problem is her nice friendly neighbors are devil worshippers and her loving, but hungry for success, out of work husband/actor made a hellish deal. The same with Invasion of the Body Snatchers, except we are now in small town America. Can your neighbor be a pod? Will you be next? Continue reading
I don’t really like to complain about multiplexes showing classic movies on the big screen. It’s rare enough that we movie lovers have the opportunity to watch great classics in a theater environment. However, and isn’t there always a however, after the last experience recently at a local Regal Cinema (Citrus Park Mall in Tampa), the real life horror was the theater experience itself, more so than Hitchcock’s excellent film.
I arrived at the theater about twenty minutes before show time. As I headed to theater five as it stated on the ticket, other patrons are all filing out mumbling about a change in the theater. “The Birds” they were told will now be showing in theater nine. So like a wandering herd of sheep we all went strolling over to theater nine only to discover “Finding Nemo 2” was already in progress. The manager, now on the scene, was as perplexed as the rest of us. He gets on his handy dandy intercom and promises to straighten this out. A few minutes go by and we are told to head over to yet another theater on the opposite side of the lobby. The sign reads 2016 (shorten for the documentary “2016 Obama’s America”). For many of us it felt like it may be 2016 before we find the correct screening room. Happily, this was the right theater, as the pre-show entertainment i.e. advertisements on the screen were TCM related. Continue reading