As a photographer, I found this film more interesting than it arguably deserves to be. The photography studio, the darkroom, the Rolleiflex camera that Lila Crane’s mentor gives her as a gift is all nicely detailed. As part Columbia’s Bad Girls of Film Noir, the film’s inclusion in volume two is questionable. The first thing to point out this is not a film noir. Columbia’s long arm of credibility was at work including this in the box set. And compared to Night Editor, another film in the package that stars Janis Carter as one of the most evil femme fatale’s to ever grace the screen, making Lila Crane look like miss goody two shoes. Continue reading
Backbeat is not just another Beatles biopic; it’s more of an intimate story of friendship, love and ultimately death. The film’s focus is not on the rise of the group’s fame but, more on the triangular relationship between German photographer Astrid Kirchherr, Stu Sutcliffe, the original fifth Beatle, and John Lennon.
The years were 1960 to 1962. Stu Sutcliffe (Stephen Dorff) is an art student, a talented painter with sensitive, good looks, a James Dean aura and a rock and roll heart. He also has a best friend by the name of John Lennon (Ian Hart). Lennon’s ragtag band then consisting of Paul McCartney, George Harrison and Pete Best were on their way to Germany to perform along the Reeperbahn district. Stu played base and was in the band due to John’s insistence and Stu own loyalty to his friend. Continue reading
If there ever was a golden age of comedy, it was the 1920’s. Three geniuses led the way: Charlie Chaplin, Buster Keaton and Harold Lloyd. There were others of course, Harry Langdon, Laurel and Hardy, Snub Pollard, Mabel Normand, Larry Semon and Fatty Arbuckle among others. But it was the top three who reached the exhalted status of genius. Of the three, there was always a battle on who was the greatest. Lloyd always seemed to take the third spot. No disgrace considering the talent of the other two. Between Chaplin and Keaton, it’s always been a matter of individual taste. Chaplin was the sentimental artist with a social conscience. Keaton’s comedy was always more cerebral. I personally love both and have always went back and forth on who I thought was better. I have resigned myself to the fact that they both share the top spot.
You can read my first post in this series here.
At a time when journalism and the news media, in general, is under attack for delivering “fake news,” Steven Spielberg’s film The Post delivers a message on the importance of a free and separate press; the need for the truth to come out despite attacks from those in positions of power and influence. Continue reading
With January rapidly coming to an end, I thought I better make my list of best/favorite movies released in 2017. I have not yet seen some of the films popping up on many folks lists, Shape of Water, I Tonya, The Post to name a few, so it is possible my own list could change. However, I did not want to wait until March or later to put something out. The films are in no particular. Maybe, there will be an update.
The Big Sick – Michael Showaiter Continue reading
For many years, around the holiday season, the Catholic Church had a pledge they brought forth to their parishioners. The oath was for “Good” Catholics not to attend any film considered morally objectionable, that is, the big C word was applied…Condemned!For years, the Church’s list of objectionable films was a dominant force that changed filmmaking. Many directors, among them Stanley Kubrick (Spartacus) and Billy Wilder (The Seven Year Itch), edited their films, eliminating scenes found objectionable. While it’s true most of the films on the list were foreign that received the condemned rating there were exceptions. In 1953, Otto Preminger’s lightweight romantic comedy, The Moon is Blue was given the dreaded C rating, this after the Hays Office refused to give the film its seal of approval and Preminger and United Artists refused to make what today seem like ridiculous deletes.
Autumn is here! Soon leaves will be turning, and there will be a nip in the air. Filmmakers have taken advantage of the colors of autumn in many films. Here are six of my favorites.
When Harry Met Sally
Having this film on the list is a no-brainer if for no other reason than the scenes that take place in Central Park. Continue reading