Patrick McGilligan is well known to film enthusiasts as the author of the much-admired, and a finalist for the Edgar Allan Poe Award in 2003, “Alfred Hitchcock: A Life in Darkness and Light.” Other celebrated works include “Fritz Lang: The Nature of the Beast,” and “Cukor: A Double Life,” both New York Times Notable Books. Patrick’s other books include “Clint Eastwood: The Life and Legend,” “Jack’s Life: A Biography of Jack Nicholson,” “Robert Altman: Jumping Off the Cliff,” “Tender Comrades, A Backstory of the Hollywood Blacklist” (coauthor) and most recently, “Oscar Micheaux, The Great and Only: The Life of America’s First Black Filmmaker. ” His latest book is “Nicholas Ray: The Glorious Failure of an American Director.” Mr. McGilligan lives and works in Milwaukee, Wisconsin.
Why the title “The Glorious Failure of an American Director?” I mentioned I was reading your book to a fellow film enthusiast and I felt he left with the impression you saw Ray’s entire career as a failure, which I know you don’t.
IT’S A DELIBERATELY PROVOCATIVE TITLE WITH SEVERAL MEANINGS, LIKE OTHER TITLES OF MINE – LIKE “ROBERT ALTMAN: JUMPING OFF THE CLIFF” (SIMILAR INFERENCE, SUGGESTING ALTMAN COURTS COMMERCIAL SUICIDE BY HIS ARTISTIC STRIVING) OR “FRITZ LANG: THE NATURE OF THE BEAST.” THE LITERAL MEANING OF A TITLE IS THE LEAST INTERESTING OR RELEVANT FROM MY POINT OF VIEW. FOR ONE THING, IN THE CASE OF THE RAY BOOK, HIS FILMS OFTEN CONCERN PROTAGONISTS (EVEN JAMES DEAN IN “REBEL WITHOUT A CAUSE”) WHO ARE PREOCCUPIED WITH THE QUEST TOWARDS SOME IMPOSSIBLE GOAL. THEY OFTEN ‘FAIL.’ THEIR GLORY LIES IN TRYING, NOT SUCCEEDING. AND WHAT ABOUT IRONY IN A TITLE? Continue reading