Short Takes: Elvis on Tour (1972) & No Name on the Bullet (1959)

Elvis on Tour (Malcolm Leo and Andrew Salt)*** By the time this film came out the fat Elvis was still in its incubation stage, here he is not fat but there is a puffiness in his face and a bit of a double chin that reveals to us a sign of what’s soon to come. In the concert footage what has disappeared is any sign of the youthful rockin’ rebel who changed the music world. By this time his shows were fully staged with the King dressed in his Liberace sequined outfits and on his way to becoming a Las Vegas icon. Any signs of youthful rebellion have been drained from his body as surely as Dracula sucked the blood out of his victims. Yet the fans and audience remain faithful, screaming, fighting for a tossed scarf or the thrill of wiping some sweat from his brow. As for the music he sings most sincere when he does anything but the rock and roll tunes that made him famous. They are rushed through like unimportant throwaways, even his latest single at the time “Burning Love” he has to read the lyrics from a piece of paper.  Yet there are glimpse  of what once was, a montage sequence of old clips from the Ed Sullivan shows among others show the young Elvis and his impact.

It is not a bad film, in fact it won a Golden Globe for Best Documentary (tied with another film). What I found sad is the direction that he took in his career becoming almost a joke of what he once was and what he could have been. FYI – Martin Scorsese  was the montage supervisor on the film.

No Name on the Bullet (Jack Arnold)***1/2 By the late 1950’s and early 1960’s Audie Murphy’s film career mainly consisted of low budget westerns destined to be the bottom half of a double feature. Most of them were ordinary films that served their purpose without standing out from the crowd. “No Name on the Bullet” was made and released in the same pattern as all the others. Reviewers at the time noticed nothing special and the film came and went without a ripple.

Examining this film a little more closely one finds an intelligent story of good and evil. Here we have a town full of “good” folks many who  seem to have something to hide. When John Gant (Murphy) a well known gunfighter comes to town everyone knows someone is going to die. Half the town seems to fear they are his intended victim.

Audie Murphy is the most decorated soldier from World War 2 and yet to look at him you would think that is impossible. Small in stature with delicate features he does not appear to be the gunfighter type. I personally kept seeing Clint Eastwood in this role (shades of High Plains Drifter). That said, Murphy does bring a quiet intensity to the part. Directed by Jack Arnold best known for some of the 1950’s best science fiction films (Tarantula, The Incredible Shrinking Man) Arnold directs the impressive script with an unobtrusive style letting the characters  tell the story. Unlike most of Murphy’s westerns, this film is a psychological study of a outwardly peaceful town  filled with decent people but as the film moves along we discover many have dark secrets that they fear will be revealed. Arguably this is Murphy’s most impressive film.