It took more than thirty years for Pier Paolo Pasolini’s second film, Mamma Roma, to arrive on American shores. Made in 1962, the film finally had its day in 1995 thanks to Martin Scorsese, our patron saint of forgotten cinema. The film made the art house circuit beginning at the Film Forum in New York and then made its way around the country. Why did it take so long? Well, it began when the film premiered at the Venice Film Festival where the local police declared the film obscene. The film made its way around Europe, but met with the scissors from local censors snipping at what they considered objectionable material. Even after the critical and financial success of his third film, The Gospel According to St. Matthew, both here and in Europe, there were no takers to bring his earlier work to these shores. Continue reading