Don’t Bother to Knock (1952) Roy Ward Baker

1952 was an important year in Marilyn Monroe’s career, a Life magazine cover, photographed by Phillip Halsman, her nude calendar photos, originally published a year or two before were reissued and became a scandal that only helped her career plus the release of five films, including her first leading role. The first three films were released within a month of each other. In Fritz Lang’s “Clash by Night,” for which Marilyn was loaned out to RKO, she had a small but impressive role dressed mostly in a swimsuit. This was followed by a five minute appearance in “We’re Not Married,” a multi cast film with little to offer and then came “Don’t Bother to Knock,” along with “Niagara” the darkest roles in the Monroe catalog.  Later the same year came “O’Henry’s Full House” another multi cast film in which Marilyn appeared in one segment and “Monkey Business” a comedy starring Cary Grant and Ginger Rogers. In this film Marilyn played the kind of part she already came to hate, the dumb blonde.

In “Don’t Bother to Knock,” Monroe’s character is a young disturbed woman recently released from a mental institution who gets a job, through her uncle, as a babysitter for a young girl.  Considering Monroe’s mental history, and eventual suicide, plus her mother’s illness, it would seem this film could have hit very close to home for the young and upcoming actress as well as being prophetic. It is also arguably one of her best dramatic performances. Continue reading

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