Favorite Comedies: The 50’s

For me, the 1950’s can be considered as one of the best decades in film. With films like Sunset Blvd, From Here to Eternity, North by Northwest, Strangers on a Train, All About Eve, Rear Window (Hitchcock again!), On the Waterfront, Touch of Evil, High Noon, and so many others how could it not be? However, with the introduction of television in more and more American homes during this decade comedy seemed to have hit  a bump in the road.  There were not as many comedies, and they generally were not as funny as in the past.   Of course, there were exceptions, Some Like it Hot is one of the greatest sound comedies. One thing that you will notice is  that some of the films on the list are  musical comedies. A style that at this point in time, television still could not emulate.

The previous entries in this series can be found here. Continue reading

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Singin in the Rain (1952) Stanley Donen and Gene Kelly

I’m singin in the rain

just singin in the rain

What a glorious feeling

I’m happy again

I’m laughing at clouds

So dark up above

The sun’s in my heart

And I’m ready for love

Is there anything more exuberant than watching Gene Kelly singin’ and dancin’ in the rain? Generally considered one of, if not, the grandest of all musicals, and whom am I to argue, “Singin’ in the Rain” is a joyous delight, celebrating movies, music, dance and the talent of a cast and creators who rarely were better. Critics over the years have been in agreement, from Pauline Kael who called it “the most enjoyable of musicals” to David Kehr, who said it is “one of the shining glories of the American musical’ to Roger Ebert who wrote, “There is no movie musical more fun as ‘Singin’ in the Rain,’ and few that remain as fresh over the years.” Even New York Times curmudgeon Bosley Crowthers wrote at the time of the film’s release, “Guaranteed to put you in a buttercup mood.” And let’s face it, if a film can put old sourpuss Crowthers in a “buttercup mood” that my friends, is one hell of a movie! (1)

Surprisingly the film, while it met with good reviews, was not considered the instant classic, top of the heap, musical it would be judged in later years. Sure, it was a hit financially but overshadowed in accolades by Kelly’s previous film, Vincent Minnelli’s “An American in Paris,” released only five months earlier and destined to win Best Picture of the Year for 1951.(2) The Kelly/Donen film’s only Academy Award nominations were for Best Actress in a Supporting Role for Jean Hagen and Best Musical Score for a Musical Picture (Lennie Hayton). This was the year of DeMille’s “The Greatest Show on Earth,” generally considered the worst film to ever win Best Picture. Other nominees that year included Fred Zinnemann’s “High Noon,” thought to be the early favorite, John Huston’s “Moulin Rouge,” John Ford’s “The Quiet Man” and the mediocre “Ivanhoe.” Hard to believe no one thought the joyous MGM musical was worthy of a spot on the Best Picture nominee list that year. Continue reading