The 1970’s were not a good time for romantic comedy, that is, until 1977 when Woody Allen, who had been making films since 1966 (What’s Up, Tiger Lily), released a little film called Annie Hall. Woody had been directing and writing films throughout the decade. They started off episodic and even visually sloppy; however, they all had one thing in common, they were funny. But with each film Woody’s visual style improved, he kept getting better and better. Then in 1977 came a giant leap. Continue reading
When I saw “Stardust Memories” for the first time back in 1980 (Baronet Theater in Manhattan) I was completely lost as to what Woody Allen was doing. Filled with Fellini like imagery, bizarre inhabitants straight out of Diane Arbus and seemingly resentful, bitter attacks on his fans. I found the film, to say the least, hard to swallow. I wasn’t and am not one of those folks who keep wishing Woody would trek back to his ‘funny’ early films. I actually relished his celluloid journey, his growth from dubbing a cheesy Japanese spy flick with completely new dialogue turning it into “What’s Up, Tiger Lily?’ through his early visually clumsy, but oh so funny, films like “Take The Money and Run” and ‘Bananas” to his classic “Annie Hall” and on to the Bergman like “Interiors” and the homage to his home town in “Manhattan.” Woody always seemed to be expanding his artistic horizons. At the time of its original release, I chalked up “Stardust Memories” as a failure, hell everyone is entitled to a failure now and then, right?
Now, let me just say here, I watch many of Woody’s film all the time, over and over, true some more than others, I have lost count on how many times I have seen “Manhattan,” “Bananas,” “Sleeper,” “Manhattan Murder Mystery,” “Annie Hall, “Hannah and Her Sisters,” “Broadway Danny Rose” and so on. His films are like old friends with whom you gladly sit, have a drink, and reminisce about those days gone by. The one film I never went back to was “Stardust Memories.” Frankly, until I watched it for the first time in years, just a few months ago, I remembered little about it except for the feeling of confusion I had and a why bother attitude about taking a second look. One day I found a copy at a local library and for no particular reason decided to give it another shot. All I can say is hallelujah brother! I have been seen the light and have been converted! Continue reading
“Play it Again, Sam” is the Woody Allen film that is not really a Woody Allen film but then again…it really is. Huh? This is just my convoluted way of saying that Woody did not direct the film, but and that is a big but, the script and the play the film is based is pure Mr. Allen. So why didn’t Woody direct this film? Made in 1972, it was still early in his directing career and “Sam” is more of a character driven script than his previous directorial efforts up to that time (Bananas, Take the Money and Run and What’s Up Tiger Lily). Still unsure of himself, he agreed to have Herbert Ross direct.
I have been a big Woody Allen fan since I first saw him do his stand up act on the Ed Sullivan show back in 1965 and that same year caught him on the big screen in “What’s New Pussycat?” at the old Astor Theater on Broadway. Around the same period I discovered in a record store one of Woody’s comedy LP’s (Woody Allen Vol. 2) and scooped that up. Over the course of his stand up career Woody made three comedy LP’s (two on the Colpix label, “Woody Allen”, Woody Allen Vol. 2″ and his last, “The Third Woody Allen Album”, on Capital) that are now long out of print though they have resurfaced over the years in compilation copies under various names (Woody Allen: The Nightclub Years 1964-1968 and Woody Allen: Standup Comic) and cover art. The oddest cut on one of the original albums was a pantomime routine that lasted about two minutes. Yes, you’re reading this right, pantomime on vinyl! Two minutes of nothing but audience laughter. It was like watching a sit-com minus the show. Continue reading