David Goodis is in the pantheon of pulp fiction’s great crime writers. Though not as well known, he’s up there right alongside Chandler, Cain and Hammett. For years Goodis’ work was serialized in magazines and published in book form. Serialized in The Saturday Evening Post, his novel, Dark Passage gave him his big break. Hollywood came a knocking and the result was a big time hit movie from Warner Brothers starring Humphrey Bogart and Lauren Bacall. That same year (1947), he co-wrote, with James Gunn, the screenplay for The Unfaithful, another WB production. Continue reading
“Whiplash” is the kind of routine film Warner Brothers pumped out weekly back in the 1930’s and 1940’s, the days before a television was standard in everyone’s home. Not saying this is as a bad thing or that “Whiplash” is a bad movie. It’s like the old saying goes, “They just don’t make’em like this anymore.” Now, no one is going to make the argument this is a great film, but with that said, it does keep you interested despite its flaws, specifically a script that at times stretches the imagination in the believability department.