Robert H. Rimmer’s 1966 novel, The Harrad Experiment, was a moderate success when first published in hardcover. One year later, Bantam Books published the paperback version, and the book exploded selling over 300,000 copies in one month, eventually selling over three million. Rimmer, who died in in 2001, wrote close to twenty books, both fiction and non-fiction, most, if not all, focusing on unconventional, free love relationships outside the norm of monogamy. The Harrad Experiment was his most successful work spawning a second related nonfiction book called The Harrad Letters to Robert H. Rimmer. Continue reading
After recently watching Sofia Coppola’s first rate remake of the 1971 gothic western, The Beguiled, I was motivated to take a look at the original Don Siegel directed film which I have not seen since it was first released back in 1971. Both films stay close in plot, but head in alternate directions when it comes to a point of view. That may be in part due to the gender difference of the directors as well as the mores and attitudes that have evolved in the more than forty years separating the two works. Continue reading
Considering the subject matter, it’s amazing that the low budget, Who Killed Teddy Bear was released in 1965. The film is a smorgasbord of Production Code taboos broken one after another: incest, masturbation, homosexuality and more. It all set in the seedy lurid world of 1960’s slime filled Times Square. It’s an oddity for sure, and a definite bump up above the typical sexploitation movies that decorated the deuce and Times Square back in the day, if for no other reason than the cast includes Sal Mineo, Juliet Prowse, Jan Murray and Elaine Stritch. One other reason to watch is due to the gritty, noirish cinematography provided by Joseph C. Brun (Odds Against Tomorrow, Edge of the City). One word of warning. Though over fifty years old and not as graphic as films today, Who Killed Teddy Bear may still be unsettling for some. Continue reading
In a 1993 interview with The New York Times, Martin Scorsese talks about the influence Murder by Contract had on the then teenager. “It’s an example of an American B-movie that is 100 times better than the film it played with on a double bill.” He then went on to explain, “The film it was playing with when I saw it was ‘The Journey,’ by Anatole Litvak, with Yul Brynner. That film had nice color, but when ‘Murder by Contract’ came on the screen, it was surprising and lean and purposeful, and not like anything my friends and I had seen. Afterward, we talked about it on the street for days. When I saw it again years later, I was overwhelmed by the severity of the style, which was dictated by the budget.” Scorsese later said in the interview how he put a clip from the film in ‘Mean Streets, ‘ but he had to remove it out of the final cut of the film because it was too long. Continue reading
An almost forgotten film from the mid-1980’s, Heaven Help Us is a wonderfully executed coming of age story. While the film will definitely strike a chord with Catholics, I can say honestly it will speak to almost anyone who was once a teenager, and that’s all of us. Continue reading
My love for movies began after my parents and I, moved from Manhattan to Brooklyn. I was just a few days shy of my eleventh birthday and was, and still am, an only child. I was on the shy side in those days making it hard at times to make new friends. There were plenty of kids around my age in the apartment building we moved to; still, it was not an entirely smooth transition. Movies became my outlet. Nearby was the Loew’s Oriental, a large majestic theater within walking distance. My other movie outlet was TV. New York City television during those early years, long before home video, was a treasure trove, a repertory theater filled with old films…only with commercials. There was The Early Show, The Late Show, The Big Preview, The 4 O’clock Movie, The 4:30 Movie, The Late Movie, Five Star Movie, Chiller Theater, and the best of all, Million Dollar Movie.
If you are a Kindle Unlimited member my film e-books Lessons In the Dark and Film Noir at Twenty Four Frames a Second are now available to borrow. Check it out below. Continue reading