One Hour Photo is a sobering introspective look on why we are a world addicted to taking pictures. Today even more than ever we have this passion, desire, this need to record almost everything we do with a photograph. Many of us photograph as a sort of visual diary of family, friends, place we have been. For some of us, we take pictures to capture a fleeting moment that will never happen again. It could be a person’s expression or clouds patterns or waves crashing; they only happen once, and the camera catches it forever. For others taking photographs is a validation of sorts that yes we live, we exist. For Seymour “Sy” Parrish (Robin Williams) though, photographs are an escape from his painful past and an imaginary lifeline to a normal life. Continue reading →
“I was born in a crossfire hurricane…” Sympathy for the Devil – The Rolling Stones.
For the first time since 1966, The Rolling Stones were touring America. It was 1969, and the venues were large palaces like Madison Square Garden. It was a month-long tour that began in early November and cumulated one month later. The Stones were on fire. Jagger is in top form strutting on stage like a rooster let loose in a hen house. The music is raw, and the audience primed. The MSG concerts would be preserved with the best cuts eventually finding their way on vinyl in 1970 as Get Your Ya Ya’s Out. The Stones agreed to end their tour with a free concert in California, a sort of west coast version of Woodstock. Continue reading →
Andre de Toth’s 1948 film noir Pitfall will be on TCM Friday, September 29th, at 11:45AM. The film stars Dick Powell as John Forbes, a bored insurance investigator, allegedly happily married to Sue (Jane Wyatt). His world falls apart when he meets sultry Mona (Lizabeth Scott) whose lover embezzled money from Forbes’ company. Complicating matters is the P.I. (Raymond Burr) the insurance hired who also has eyes for the femme fatale.
De Toth and his writers weave a downward spiraling tale with elements of suburban discontent, stalking, infidelity and murder. Aptly titled, “Pitfall,” the film reflects the consequences of one man’s actions on many. Forbes infidelity leads to at least one man dead. Mona is in jail, arrested for at least attempted murder, and of course Forbes’ own marriage is now in a fragile state. – From Film Noir at Twenty Four Frames Per Second.
One of neo-noirs most underrated and little talked about films is George Armitage’s Miami Blues. The 1990 film is based on Charles Willeford’s 1986 novel, the first in his series featuring the dysfunctional detective, Hoke Moseley. Willeford was a prolific writer, and not just of crime fiction. He was a poet and biographer. His crime novels are darkly humorous tales juxtaposing violence and humor keeping you off balance all the way. Three of his novels have been turned into films: The Woman Chaser, Cockfighter and Miami Blues. All are unconventional, dark and eccentric which may account for why his work has not been mined for further screen adventures. Continue reading →
Robert H. Rimmer’s 1966 novel, The Harrad Experiment, was a moderate success when first published in hardcover. One year later, Bantam Books published the paperback version, and the book exploded selling over 300,000 copies in one month, eventually selling over three million. Rimmer, who died in in 2001, wrote close to twenty books, both fiction and non-fiction, most, if not all, focusing on unconventional, free love relationships outside the norm of monogamy. The Harrad Experiment was his most successful work spawning a second related nonfiction book called The Harrad Letters to Robert H. Rimmer.Continue reading →
After recently watching Sofia Coppola’s first rate remake of the 1971 gothic western, The Beguiled, I was motivated to take a look at the original Don Siegel directed film which I have not seen since it was first released back in 1971. Both films stay close in plot, but head in alternate directions when it comes to a point of view. That may be in part due to the gender difference of the directors as well as the mores and attitudes that have evolved in the more than forty years separating the two works. Continue reading →