On Valentine’s Day in 1929, Al Capone allegedly sent a surprise gift to his Chicago North Side enemy Bugs Moran. Capone and Moran were in the middle of a gang war over territorial rights involving bootleg booze. On that romantic holiday, four men posing as police officers, entered Moran’s headquarters. They lined up seven of Moran’s thugs against a wall (Bugs wasn’t there) and emptied their machine guns into them. While it has never been completely proven that Capone was behind the massacre, he is generally credited with the bloody gift. Photo is from Roger Corman’s 1967 film, THE SAINT VALENTINE’S DAY MASSACRE.
Here we have my top ten, plus six HM’s, of my own personal faovorite P.I. eyes. I’ve always had a soft spot for the anti-hero types, though you will find Nick and Nora Charles on the list. It was Humphrey Bogart as Sam Spade and Philip Marlowe who cemented my love for the mean dark streets of film noir where many of the best P.I. films are set. Please share you own favorites if you so desire.
The Maltese Falcon (1941)
There are lies, deceit, sex, betrayal, murder, a stay true to the source screenplay by John Huston, a supporting cast that includes Mary Astor, Sydney Greenstreet, Peter Lorr, Elisa Cook, and of course Humphrey Bogart as Sam Spade all add up to make this film the epitome of Private Eye films.
The Long Goodbye (1973)
A multi layered, satirical, witty send up, and as you would expect…
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Finally, after a long delay, I have published my first newsletter. If you are interested in receiving it, send me your email (firstname.lastname@example.org) or PM on Facebook, and say newsletter. For a limited time, I will send to anyone who signs up a copy of my short story, MAKE IT WRITE (Kindle or PDF). Let me know which you prefer.
Will movie going ever be the same? It’s not like I want to add more doom and gloom to what we have been experiencing, however after reading a few articles recently, I have wondered about its future. Theaters are in crisis. Regal theatres have kept its doors closed up to now. AMC is open with limited capacity and struggling. Like many, I have not been inside a movie theater since the pandemic hit us early this year, turning our lives inside out. True, I have been watching plenty of movies, thanks to DVD’s, Netflix, Amazon, and other outlets that we fortunately have today, but theater going is still a unique experience. I mean, I don’t care how big your TV screen is, it’s not as big as a theater’s. And though I no longer indulge, I love the smell of movie theatre popcorn, and just having other people around to…
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Christmas may seem far away, but it’s closer than you think, and will be here before you know it. With that in mind, today is the release date for ‘Tis the Season, my new four short story collection mixing Christmas and crime. The four tales consist one old and three new tales. In Home for the Holidays two brothers reunite on Christmas Eve. Let’s just say it doesn’t turn out well. Next up is a revised version of A Merry Little Christmas which originally appeared in Devious Tales. Favorite Time of the Year deals with a troubled marriage and a final solution. In ‘Tis the Season a hitman with a soft spot for the holidays may or may not have a holly jolly Christmas. The holidays can bring out the worst in everyone, and does so in these four short Christmas themed stories. ‘Tis the Season is not…
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The Man Who Shot Liberty Valence
John Ford’s brilliant western is both a romantic, three-way, love story and a look at the west on the cusp of change. Watching it again I realized how political a movie this is. There are battles between two factions. Those who want to remain a territory and those who want to become a state. It’s a typical rich versus the everyman battle. The future versus the status quo. Even the film’s love story, a triangle between a tenderfoot, a gunslinger, and the woman they love represents a dying western way of life. John Ford blends it all together with this filmmaking classic, his last great western.
Some films are indelibly burned into your psyche for many reasons. It may have to do with the heart of every audience member jumping into their throats the first time the shark comes out of the…
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Here is scene 4 in my Movies Watched in Quarantine series.
The Roaring Twenties
WNEW Channel 5 broadcast, on Sunday afternoons, one Warner Brothers movie after another. The Roaring Twenties was a mainstay. It was James Cagney’s last gangster film until White Heat some ten years later.
The Roaring Twenties is a rise and fall tale, in this case, of Eddie Bartlett (Cagney) a World War 1 vet who came home alive but with no prospects for the future. His old job as a mechanic is taken. He settles for a job driving a taxi with his old buddy Frank McHugh, that is until he accidentally stumbles in the bootleg business. With prohibition now the law of the land Eddie builds an empire becoming the king of New York. His old war buddy, George (Humphrey Bogart) works with him. However, like in many of his early roles, Bogie is a sniveling weasel who cannot be trusted. He runs true to form here.
Eddie’s world comes crashing down with the end of prohibition, and the girl (Priscilla Lane) he loved, but never loved him back. The film ends with one of the great endings of all time. Severely wounded in a shootout, Eddie is left stumbling along a snowy street, collapsing in front of a church in the arms of another woman (Gladys George). When asked by a cop what he did, she replies, “he used to be a big shot.”
Cagney, along with Raoul Walsh’s sharp direction drives the film never letting a moment of dullness creep in.
Da 5 Bloods
There are a few rare times in history when art and life collide at the perfect moment in time. Spike Lee’s Da 5 Bloods is one of those films that has come out at the right moment when the anguished cries of Black Lives Matter have been in the headlines and history is being made. Lee has delivered what may be the best and most innovative film of the year. The director intercuts archival and newsreel footage into the film, nicely providing historical content. Da 5 Bloods is a thought provoking work about war, America, and race. Delroy Lindo leads the way in a cast of superb performances. There have been many films about The Vietnam War some great (Apocalypse Now Hamburger Hill, Platoon, Hearts and Minds) and others that have been false takes of the war including The Green Berets, any and all Rambo and Missing in Action movies. Fortunately, Spike Lee’s new epic tale falls into the first category. Watch on Netflix.
The Boston Strangler
Based on Gerold Frank’s non-fiction best-seller. In the early 1960s, 13 women were strangled in the greater Boston area. The unknown killer was labeled the Boston Strangler. It made national news. Albert DeSalvo was eventually arrested and confessed to the hideous crimes. The 1968 film claims to be a true representation, but as with almost all fact based films there is plenty of fiction tossed in. This a typical police procedural spruced up with plenty of unnecessary “modern” split-screen effects that add nothing. Unlike Richard Brooks’ earlier true crime film, In Cold Blood (1966), which delves deep into the personalities of the killers, the filmmakers here though seeming to want to make a serious film couldn’t help themselves to make a sensationalistic tabloid feature. Tony Curtis gives what may be his best performance and was rewarded with a Golden Globe nomination. Henry Fonda co-stars. Look for future stars Sally Kellerman (one of DeSalvo’s victims who survives) and James Brolin.
Out of Sight
Elmore Leonard created some of the most quirky characters to ever grace the page. In “Out of Sight,” Steven Soderbergh, along with screenwriter Scott Frank, captures Leonard’s tone and spirit perfectly. Leonard has generally not been served well when translated to the screen. “Get Shorty” and this film are the exceptions. Cheeky, sexy, witty, and poignant with a few unexpected bursts of violence. The performances are all pitch-perfect. Clooney is full of wisecracks and charm. Jennifer Lopez, in a pre J-Lo performance, has never been better possessing both a toughness yet vulnerable facade. The rest of the cast includes. Ving Rhames, Don Cheadle, Albert Brooks, Isaiah Washington, Steve Zahn, and Nancy Allen all deliver spot-on performances.
Scene 3 in my series
Here is scene 3 in my list of Movies Watched in Quarantine.
Dead Men Don’t Wear Plaid
With the mood, the ambiance, the Miklos Rozsa’s soundtrack, the perfect deadpan voice-over by Steve Martin, we are transported back to 1946 and those dark rain-filled streets of film noir. Well sorta, after all, that is Steve Martin sitting in the detective chair and it is Carl Reiner in the director’s seat. Dead Men Don’t Wear Plaid is an affectionate, funny, and technically inspired tribute to the murky cinema of gats, dames, and mean darkly lit streets.
Murder By Natural Causes
Written by William Levinson and Richard Link (creators of Colombo) the 1979 Made for TV movie is a clever and devious story filled with one twist after another, and when you think you have it figured out, there’s another twist. A must-see for mystery lovers. I originally saw this on CBS…
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Scene 2 in this series!
Here are a few more films I watched while social distancing during the Covid-19 pandemic which is still not under control. Here in Florida it continues to spread. I hope everyone is staying safe. Please wear a mask, it’s not that big a sacrifice. I know you can handle it Anyway, as I shelter from the storm, here are a few thoughts on some of the films I’ve watched. More to come!
Whether you are a musician, writer, actor, artist or any other public figure, you know having fans is an integral part of the experience. Fans follow the artist on social media, fans share experiences and thoughts with each other, and fans are devoted. However, with some fans there comes the point when that devotion takes a turn toward some very dark places; far from the ordinary, toward the bizarre, the maniacal or even worst. Fan is short…
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First in a series!
As a writer, I stay home and write. That’s the nature of the process, but when I put my photographer’s hat on I am outside. Again, that’s the nature of the process. Covid-19 has put my photography on hold. Sure, I can do indoor photography, but my taste has usually run toward the outdoors.
These days, I’m spending more time inside than out. My writing is at its best in the early hours. Subsequently, to pass the time I read, and I have been watching movies, movies and more movies.
I have been posting on Facebook a few thoughts on most and decided to share a few here.
Cape Fear one of the great thrillers from the early 60s. Robert Mitchum’s revenge-seeking crazed Max Cady is one of cinema’s great psychopaths. What makes his performance so effectively terrifying is his laid back style. He’s a relentless, vengeful, monster…
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