Backbeat is not just another Beatles biopic; it’s more of an intimate story of friendship, love and ultimately death. The film’s focus is not on the rise of the group’s fame but, more on the triangular relationship between German photographer Astrid Kirchherr, Stu Sutcliffe, the original fifth Beatle, and John Lennon.
The years were 1960 to 1962. Stu Sutcliffe (Stephen Dorff) is an art student, a talented painter with sensitive, good looks, a James Dean aura and a rock and roll heart. He also has a best friend by the name of John Lennon (Ian Hart). Lennon’s ragtag band then consisting of Paul McCartney, George Harrison and Pete Best were on their way to Germany to perform along the Reeperbahn district. Stu played base and was in the band due to John’s insistence and Stu own loyalty to his friend. Continue reading →
For many years, around the holiday season, the Catholic Church had a pledge they brought forth to their parishioners. The oath was for “Good” Catholics not to attend any film considered morally objectionable, that is, the big C word was applied…Condemned!For years, the Church’s list of objectionable films was a dominant force that changed filmmaking. Many directors, among them Stanley Kubrick (Spartacus) and Billy Wilder (The Seven Year Itch), edited their films, eliminating scenes found objectionable. While it’s true most of the films on the list were foreign that received the condemned rating there were exceptions. In 1953, Otto Preminger’s lightweight romantic comedy, The Moon is Blue was given the dreaded C rating, this after the Hays Office refused to give the film its seal of approval and Preminger and United Artists refused to make what today seem like ridiculous deletes.
Ken Burn’s latest documentary, Vietnam, is currently broadcasting nightly on PBS. Up until the 1960s, war films were good business for Hollywood. It all changed with the Vietnam War. With no clear military objective, the war became more and more unpopular on the home front. Hollywood knew a hot potato when they saw one and the major studios were slow to put themselves on the front line. There were exceptions. Most were low budget independent productions like A Yank in Vietnam (1964) and To the Shore of Hell (1966). Other low budget films dealt with the returning Vietnam Vet. Most times they were portrayed as disturbed crazies: Motorpscyho, Targets, Taxi Driver and The Visitors. Then there was John Wayne’s The Green Berets, the only film at the time distributed by a major studio. Arguably it is the worst movie made about the Vietnam War, and I am not even talking about its politics. It is just a poorly made film. With this in mind here are ten must-see films about the Vietnam experience. Continue reading →