Deanna Durbin spent the majority of her short career, she retired in her late twenties, at Universal where she made a series of light, but popular musicals that made her one of the top stars of the time. However, like many artists, Durbin wanted to do something different. In 1944 and 1945, she got her chance with the film noir, Christmas Holiday and the following year with the comedy/mystery film, Lady on a Train. Neither film did well at the box office. Durbin soon returned to her musicals until she retired, married her third husband, director Charles David, and moved to France where she lived for the rest of her life. Continue reading →
Juano Hernandez’s early days are not clearly defined. Various sources claim he was born in either 1896, 1898 or 1900. A consensus seems to be for the 1896 date…but who knows. All agree he died in 1970 and that he was born in Puerto Rico to a Puerto Rican father and a mother of Brazilian decent. Hernandez was orphaned pretty early on and soon was living with an aunt in Brazil. It was while living in Brazil that Hernandez got his first taste of performing. The young boy joined a group of street kids and began performing in public: singing, dancing and acrobatics. Juano eventually joined a carnival and worked his way around Latin America and the Caribbean, eventually making his way into the United States. During this period, he taught himself to read, write and learned various languages. A multitude of jobs followed from working in the circus to becoming a professional boxer. Continue reading →
As the title states, It Happened it Brooklyn, takes place in New York City’s largest, population wise, borough. To be more specific, the film takes place in the Bensonhurst section of Brooklyn at New Utrecht High School. It’s located on 80th street between New Utrecht Avenue and 16th Avenue. That’s about three blocks from where I lived long ago. I am being so specific here because, as you may have already guessed, New Utrecht, is my high school alma mater. Most of the film, except for a few early scenes in the film, take place at the school. Of course, the school you see on screen is a set in Hollywood. To see the real school, all one has to do is watch the opening credits of Welcome Back, Kotter. Those shot of the school in the background as an elevated train passes by is New Utrecht. As an aside, the series star, Gabe Kaplan was an alumni of the school. Continue reading →
Framed is James M. Cain light. It’s Double Indemnity and The Postman Always Rings Twice, shaken and stirred. All the ingredients are there, the protagonist, the sap of a guy falling hard for a duplicitous femme fatale who crosses and double crosses anyone who gets in her way. There’s also the dame’s lover, a debonair, adulterous, underhanded white-collar thief masquerading as a model citizen. Continue reading →
Based on a short story (The Boy Cried Murder) by the reclusive, alcoholic and prolific writer, Cornell Woolrich, The Window is a claustrophobic tight little thriller filled with fire escapes and old tenement buildings that dramatically frame this tale of a young boy, a compulsive teller of tales, who witnesses a murder on a hot urban city night…and no one believes him. Continue reading →
Barbara Stanwyck was always at her best when her character came from the wrong side of the tracks. She seemed to have a natural affinity for those whose lives have mostly been filled with hard times, scrapping by the best way they can. Maybe, it had to do with her sad Brooklyn upbringing, her mother dying when she was four, pushed from a streetcar by a drunk, and her father leaving only weeks later, never heard from again. That kind of pain has to leave an indelible mark on one for life. Yet, beneath the tough exterior would hide a gentle desirous heart longing for acceptance and love that would eventually show itself. This double side of Stanwyck’s persona is clearly on display many of her films including this 1940 holiday comedy/drama, Remember the Night.
MacMurray is prosecuting Assistant District Attorney, John Sargent. He arranges through a legal technicality, to have Lee Leander’s (Barbara Stanwyck) trial for shoplifting postponed until after the holidays. This results in Lee, unable to post bail, having to spend the long holiday week in a jail cell. Sargent, in a twinge of guilt, or holiday spirit, arranges through a shady bondsman to have Lee’s five thousand dollars bail paid for. When the bondsman delivers Lee to the ADA’s apartment, she is cynical enough to have no doubt, her payback to him will be in sexual favors. To her surprise, D.A. John Sargent expects nothing in return. He really just did not want her to spend Christmas in jail. The look of surprise in Lee’s eyes and face is priceless when this realization hits her. Continue reading →
Raw Deal was Anthony Mann’s second film with John Alton as cinematographer. It was a cinematic marriage that produced some of the finest low budget film noirs in cinema. Both Mann and Alton did excellent work with others, but together their sensibilities were simpatico. It was like they each knew what the other wanted. A short film, only 79 minutes, it’s packed with action, characterization, stylish dramatic dark lighting and expressive camera angles that tell as much about the story as the dialogue and plot reveal. Continue reading →