Jules Dassin’s Brute Force is a brutally, cruel, claustrophobic prison film that will turn your knuckles bloody to the skin. This was the director’s first venture into the world of film noir. It has a tough hard core texture, thanks to not only Dassin’s sharp direction, but the cinematography of William H. Daniels (The Naked City, Lured) and the music score of Miklós Rózsa (Ministry of Fear, Woman in Hiding). Continue reading
Early in his feature film directing career Richard Fleischer made a series of exciting low budget film noirs, among them, The Clay Pigeon, Follow Me, Quietly, Armored Car Robbery and his masterpiece, The Narrow Margin. Photographed in deep rich black shadowy light, most of the film taking place on a cross country train. The confined space results in a claustrophobic tense ride filled with twists and turns that do not let up for a second. Continue reading
Framed is James M. Cain light. It’s Double Indemnity and The Postman Always Rings Twice, shaken and stirred. All the ingredients are there, the protagonist, the sap of a guy falling hard for a duplicitous femme fatale who crosses and double crosses anyone who gets in her way. There’s also the dame’s lover, a debonair, adulterous, underhanded white-collar thief masquerading as a model citizen. Continue reading
Based on a short story (The Boy Cried Murder) by the reclusive, alcoholic and prolific writer, Cornell Woolrich, The Window is a claustrophobic tight little thriller filled with fire escapes and old tenement buildings that dramatically frame this tale of a young boy, a compulsive teller of tales, who witnesses a murder on a hot urban city night…and no one believes him. Continue reading
Pickup on South Street is one of Sam Fuller’s few big studio films, and more importantly, one of his finest. Pickpocket pro Richard Widmark inadvertently becomes involved in stolen government secrets when he pickpockets the wrong woman, a tough talking Jean Peters. This is hard core noir mixed in with cold war paranoia. The film is filled with tough smart aleck talking guys and dames, no matter what side of the law they are on. Widmark is very good, but Thelma Ritter as Mo, the snitch, steals every scene she is in. Not a perfect film but damn near close. Continue reading
Raw Deal was Anthony Mann’s second film with John Alton as cinematographer. It was a cinematic marriage that produced some of the finest low budget film noirs in cinema. Both Mann and Alton did excellent work with others, but together their sensibilities were simpatico. It was like they each knew what the other wanted. A short film, only 79 minutes, it’s packed with action, characterization, stylish dramatic dark lighting and expressive camera angles that tell as much about the story as the dialogue and plot reveal. Continue reading
Author Jim Thompson created some of the darkest pulp crime fiction ever to land between the covers of greasy paperbacks left in two bit diners on dark rain soaked nights. He was a writer whose tales were filled with sleazy grifters and psychopaths. An alcoholic himself, Thompson’s works featured characters that drank too much booze, like it were a life saving device or a device to run away from life.