When I first became interested in film, seriously interested, there were not many books on the subject, at least not in Bensonhurst, Brooklyn. Arthur Knight’s The Liveliest Art, published in the late 1950’s, was one of the first books on the subject I read. I discovered names like Griffith, DeMille, and others. I did find a copy of Rudolph Arnheim’s Film as Art at a local library around the same time or not soon after. Other than that, you were pretty much limited to film star biographies. Continue reading
More than seventy years after its release, Sabotage remains relevant today. In fact, it is arguably more relevant today, considering the world we live in, than in 1936 when it was first released. Based on Joseph Conrad’s short novel, The Secret Agent, the plot focuses on Karl Verloc (Oscar Homolka), a foreigner from an unnamed country. Verloc owns a local cinema in London and is a member of a terrorist group set on crippling London. His wife, (Sylvia Sidney) is completely unaware of her husband’s underground activities. Living with the couple, in an apartment above the cinema, is Mrs. Verloc’s much younger brother, Stevie (Desmond Tester), whose death in the film sparks its most famous, and most infamous, sequence. Continue reading
The previous time James Stewart and Alfred Hitchcock worked together was on Rope; an experimental piece for Hitch that was considered a failure by most critics of the time. Stewart himself was not happy with the picture, or with the role, which he felt was not right for him. Additionally, there was the fact Rope was not a financial box office success. Some cities even requested cuts before it was to be shown. In Chicago it was banned outright. This was most likely because the storyline was a bit too close to the real life Loeb-Leopold case of the 1920’s. Subsequently, when Hitchcock called about Rear Window, Stewart was hesitant to accept, especially after hearing that, like Rope, the film would take place mostly on one set. Furthermore, he would be confined to a wheelchair for the entire film.
Photography and filmmaking are brothers, or sisters, under the skin. Cinema would not exist without the birth of still photography. As a photographer, and someone whose has been drawn to celluloid dreams all his life, I thought I’d list a few of my favorite films that have characters who are photographers in significant roles. All six films are available on DVD.
Rear Window (1954)
Where else to start than with one of my top five favorite films. REAR WINDOW, directed by Alfred Hitchcock, stars James Stewart as a Life magazine photojournalist confined to a wheelchair after an accident during a photo shoot. With one of his legs in a cast, he spends most of his time looking out his window observing his neighbors until one day he comes to suspect one of them (Raymond Burr) has murdered his wife. Hitchcock not only gives us one of the greatest suspense/thrillers of all time, but exposes the essence of photography and a dark side of human nature…voyeurism. Continue reading
I don’t really like to complain about multiplexes showing classic movies on the big screen. It’s rare enough that we movie lovers have the opportunity to watch great classics in a theater environment. However, and isn’t there always a however, after the last experience recently at a local Regal Cinema (Citrus Park Mall in Tampa), the real life horror was the theater experience itself, more so than Hitchcock’s excellent film.
I arrived at the theater about twenty minutes before show time. As I headed to theater five as it stated on the ticket, other patrons are all filing out mumbling about a change in the theater. “The Birds” they were told will now be showing in theater nine. So like a wandering herd of sheep we all went strolling over to theater nine only to discover “Finding Nemo 2” was already in progress. The manager, now on the scene, was as perplexed as the rest of us. He gets on his handy dandy intercom and promises to straighten this out. A few minutes go by and we are told to head over to yet another theater on the opposite side of the lobby. The sign reads 2016 (shorten for the documentary “2016 Obama’s America”). For many of us it felt like it may be 2016 before we find the correct screening room. Happily, this was the right theater, as the pre-show entertainment i.e. advertisements on the screen were TCM related. Continue reading
This interview originally appeared as a contribution to The Lady Eve’s Reel Life marathon, A MONTH OF VERTIGO which for any Hitchcock admirer is a must to check out. Just click right here! The month-long event had a spectacular list of contributors from such writers as Steven DeRosa author of WRITING WITH HITCHCOCK and Dan Auiler author of VERTIGO: THE MAKING OF A HITCHCOCK CLASSIC. In addition there are a whole list of contributions from some very fine bloggers covering just about every aspect of the film.
Biographer Patrick McGilligan, author of Alfred-Hitchcock: A Life in Darkness and Light graciously agreed to answer some questions I posed on this Hitchcock masterpiece. This is my second interview with Patrick. We previously discussed his latest book, Nicholas Ray: The Glorious Failure of an American Director. You can read that interview by clicking here.
Finally, I want to congratulate Lady Eve on a spectacular job with A MONTH OF VERTIGO, an event I was proud to be part of. Continue reading
L.B. Jeffries (James Stewart), a photojournalist for a big time magazine is confined to his Greenwich Village apartment in a leg cast due to an accident during a photo shoot when he got a little too close to the action on a race track. His long period of convalescence is stifling. Use to being on the move, traveling to exotic places around the world, Jeffries is bored and frustrated by his inability to get around. A brutal heat wave with temperatures hovering around 100 degrees only adds to his aggravation. Bored out of his mind, Jeffries spends his days and nights, voyeuristically spying on his neighbors whose apartments are visible from his window facing the courtyard of his housing complex. The tenants are a diverse group of New Yorkers whose lives he becomes fleetingly acquainted with. They include a newlywed couple, a struggling songwriter, a lonely woman, he dubbed Miss Lonely Heart, a young beautiful dancer he nicknamed Miss Torso, and some married couples, one with a dog, another who sleep out on the fire escape, and especially one unhappy couple, Lars Thorwald (Raymond Burr) and his ailing wife.
Jeffries girlfriend, Lisa Freemont (Grace Kelly), a high fashion model, is pushing him to settle down and get married, a concept Jeffries reacts to as if it were allergenic. Jeffries begins to focus on the Thorwald’s when he notices Mrs. Thorwald, who was always in her bedroom, has seemed to have disappeared and Mr. Thorwald, a salesman by trade, began to be going out at odd hours of the night with his sample case in hand.